Category: disquiet junto

San Jose Museum Momentum Installation

The Momentum exhibit runs through February at the San Jose Museum Of Art. Sound artist, writer and Junto founder Marc Weidenbaum curated the sound (as an “intervention”) for one of the installations, the video Untitled #8 (2004) by Josh Azzarella. Back in August, Marc sent out the silent video as project Disquiet0138-videosonicvoid, and challenged us to create a looping piece:

Compose a 2.5-minute soundtrack to complement the silent video “Untitled #8, 2004″ by the artist Josh Azzarella.



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132 Frets [disquiet0147-slightnoise]

PROCESS
Every frettable note (incl. harmonics) on Jolie (my Gibson ES-335 DOT reissue), granulated and held through an Electro-Harmonix SuperEgo synth engine and then fleshed with infinite feedback through a TC Electronic Flashback tape delay. Both pickups were active and thrown out of phase to broaden the aural spectrum.

PROJECT

Step 1: Record 8 seconds of white noise in your own personal style.…

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Vertical Lyfe [disquiet0146-swypingsilence]

PROCESS

Transposed the swype into notes by turning the QWERTY keyboard into a musical keyboard:

1. Correlated the major scale to the letters following G by repeating the octave pattern though the alphabet (e.g., J=C, N=G, V=A, etc…)
2. Assigned low octave (1) and high octave (3) to the bottom and top rows, respectively, of the qwerty keyboard.…

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truth is a lonely place [disquiet0138-videosonicvoid]

PROJECT
Compose a 2.5-minute soundtrack to complement the silent video “Untitled #8, 2004″ by the artist Josh Azzarella. The video is intended by the artist as a “Never Ending Loop,” as is this audio accompaniment.

Untitled #8, 2004 from Josh Azzarella on Vimeo.

If not visible above, view the video here:
vimeo.com/21678371

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[a few words on] the disquiet.com junto

I started creating tracks for the Disquiet.com Junto in January 2012 upon the group’s founding by Marc Weidenbaum, a San Francisco music, technology and culture writer. A former editor of Tower RecordsPulse! magazine, he has written for Nature, Boing Boing, and The Atlantic online, and he also lectures on the role of sound in the media landscape.…

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The Fourth Of IX [Disquiet0134-MusicFromChoreography]

My Disquiet Junto contribution to soundtrack 03:00-03:59 of the film [IX] by Cori Marquis.

PROCESS
Pulled out aces through nines from a deck of cards.
Shuffled. Cut twice. Drew the top card.
4 of hearts.
So, fourth minute of nine (03:00 – 03:59).

At ~01:47 in the original 9 minute film, the dancers tapped their shoulders with their fists for a couple seconds.…

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sum + difference [disquiet0130-filteredmelody]

4 notes. 3 intervals of 3. then 12 pedals. Made mathematical sense, so the title references “An Individual Note” by Daphne Oram, this month’s Junto reading selection (I’ve only gotten as far as pg 50, tho). Image is my pedal board through a kaleidoscopic app.

Finally had an excuse to put my Pigtronix Infinity at the head of the effects chain.…

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disquiet.com: yellow dog coda

Yesterday Disquiet.com‘s Marc Weidenbaum published a wonderful perspective on the Junto’s impact on the Studio360 Yellow Dog Blues cover challenge. In addition to featuring my contribution on this week’s Studio360, tracks by Junto members Ethan Hein and Tom Anderson (both in the set below) had been featured on the May 28th broadcast of Soudcheck, in which Kurt Anderson and Marc Anthony Thompson (Chocolate Genius) were interviewed by John Schaeffer.…

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npr studio360 review: between stations (yellow dog blues) [disquiet0125-junto360blues]

Honored to have been highlighted as one of the two best tracks among some stellar contributions. Produced originally for Disquiet Junto challenge 0125.

via:
http://www.studio360.org/story/1914-blues-challenge-marc-anthony-thompson-picks-winners/

By far the longest submission at 9:17, Westy Reflector sandwiches his psychedelically influenced cover in the static of a radio dial. Reflector (born Dave Westreich) tells Thompson, “No one in the story is in a fixed place.



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welcome to the interzone [disquiet0110-wsb100]

source article

This New York Post headline (“I Could Have Saved Him”) screamed at me from a newsstand on 5th Avenue and 9th Street in Brooklyn a couple days after receiving this week’s challenge, and I couldn’t shake it. As the weekend closed, I looked at the front pages of all the other papers in town with this challenge in mind, including a couple hyperlocal rags (NY Times, NY Observer, NY Daily News, Brooklyn Eagle, Park Slope Courier, etc…), but no other story stuck with me like this one, falling lock-step into the context of this Junto challenge celebrating the 100th birthday of William S.…

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intransitive disapperance [disquiet0108-freebassel]

PROCESS
Connected to this assignment, and wanted to do some small part to keep Bassel’s cause and case out front. I’m not a foley artist and field recording is not my game, though, so consider this less a soundscape than a track that might run over closing credits.

Married some royalty-free congas, tambourines and trap kit loops on an Acid timeline.…

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symbols (all the way) [disquiet0102-sonictinsel]

PROCESS

A random collision of 8-bar loops created in Propellerhead’s Figure app for iPad, royalty-free vocal and wind-chime samples by Mick Fleetwood and three takes of improvised guitar deconstructions of the Jingle Bells’ phrase “jingle all the way” played live over all of it. Assembled in Acid Pro.

This track is a one-minute, 24 bar section of what has become the intro and outro to my cover of Elvis’s “Blue Christmas.”…

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H2(arpeggi)O [disquiet0100-vaporwave]

PROCESS
Recorded Bodum electric kettle at point of boil into Samplr iPad app (2sec and 15sec samples). Raw recordings are stitched & looped and peek through at beginning and end of track.
Processed raw sounds with Samplr, then fed to various effects pedals and stretched a few grains in Paulstretch.
Noise thresholds triggered arpeggios, bass notes and drone swells via effect send/receive on synth pedal.…

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o(men)s [disquiet0097-page99remix]

PROCESS

Currently (re)reading:
The Alchemist by Paolo Coehlo
Illustrated Edition, Paintings by Moebius

First 80 characters on page 99:
“Can’t you just observe men and omens in order to understand the language?” the

There’s a heaviness to Coehlo’s fable that this treatment revealed. I first read it in ’93, when it was first published in English.…

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dreamy solace of rivers and bridges [disquiet0088-3d]

PROCESS
Headphones required.

The melody is 5 patterns repeated 3 times on a guitar, played live with a touch of boost, delay and reverb.

The rhythm is built from a royalty-free drum construction kit for ACID called “Black Paint Weathered Beat.” There’s a 1-measure intro and a 4-measure pattern, and both repeat 3 times.…

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Hyper(BlueSky)loop [disquiet0086-hyperloop]

PROJECT
The sky this weekend was as blue as it’s been in months. I stared at it through the window in my home studio and floated away on the notion of the sky as a loop – its endless blue, its cyclical regularity, its motion within motion.

The photograph is through the front window of my apartment, looking up at the roof of a 14 story complex two-blocks away with a 200mm lens.…

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Grzegorz Bojanek: One Hot Day (remix of Call Pop)

Grzegorz Bojanek, also known as Eta Carinae, is an xclnt electro-acoustic musician from Poland. For a Junto remix project, he sampled guitar from my track Call Pop (both original versions below), and created a wonderfully dreamy track called One Hot Day, which appears on his latest release Constraints, a collection of tracks originally composed for the Disquiet.com…

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The Hinrinson (Disquiet0076-dreamsound)

More on this 76th Disquiet Junto project:
http://disquiet.com/2013/06/13/disquiet0076-dreamsound/

More details on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto

STORY:

I’m in Detroit. Or what I think is Detroit. Wandering around in the rain. I’m in town to play a show and I can’t sleep. Neon lights abandoned Main Street. Restaurants and artist studios nestled between broken glass windows and crumbling bricks.…

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faucet fripp festival [disquiet0075-vinesuite]

PROCESS:
Sounds + Visuals:

1. vine.co/v/bLELKHq7xmL
Kitchen faucet, full throttle cold water, moved across drain.

2. vine.co/v/bLJPD9wbOWO
Robert Fripp “Easter Sunday” SoundPage (from Guitar Player Magazine, Jan 1986), alternated with Karl Johnson cut-paper silhouette of my wife, Cat, with me drone-humming.

3: vine.co/v/bLjLW52PtAw
Sunset view over perched dog, Sterling, out my front apt window, Brooklyn LGBT Pride Parade/Festival one-half block away on 5th Avenue.…

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