Category: disquiet junto

[aired] Between Stations: Yellow Dog Blues Backstory

Enlightening walk-through by Mississippi writer Suzassippi with some fantastic photos of the actual location where the “Southern cross the dog” in W.C. Handy’s Yellow Dog Blues.

In 2014, the Disquiet Junto participated in an NPR Studio360 project to record modern versions of Handy’s track in honor of its 100th anniversary. My track, Between Stations, “won” the event, and I ended up on air with host Kurt Anderson and musician Marc Anthony Thompson.

The Blues makes us aware of how the universe perceives harmony through our ears.…

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[dispatch] 20170905.1749

September 05, 2017 at 05:49PM
via IFTTT

[track] sun child [disquiet0294-offlinestatus]

This is the fourth track I’ve recorded in honor of Bassel Khartabil Safadi, a pioneering and beloved Syrian open-source programmer who gave his life to ensuring an open web, teaching others about technology, and contributing his experience freely to help the world. Syrian military police arrested him in 2012 for unstated crimes, and held him without trial. In August of 2017, the world learned he had been executed in October 2015. To this date, his body has not been given to his family for proper mourning and burial, and the manner in which he was put to death remains a mystery.…

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[track] ’57 Echoes [Disquiet0258-RoomsWithinRooms]

Spending this week in Venice, FL, at The Herron House. Built by architect Victor A. Lundy (FAIA) in 1957 for the Herron family, the house was restored to its original grandeur by its current owners, Ursula Kohl and Peter Bartos, in 2008. It’s a masterstroke of mid-century American imagination, and a timeless time capsule that will always feel like the future.

Most of the house is open-plan (only the bedrooms and offices have doors), all the rooms, save one, have at least two glass walls, and there are two spectacular rooms within the envelope of the roof line that have floor-to-ceiling screens as their 4th walls separating them from the outside.…

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[track] sterling fades [disquiet0260-tonefade]

PROCESS
Thank you so much, Marc (@disquiet) for thinking of Sterling in this project. As I told Marc in an email exchange where he told me of the dedication in this week’s prompt, my thinking about how the sound waves we produce may somehow go on forever began with the Junto’s week dedicated to the death of Jefferey Melton (@Nofi). This week brings much of that exploration full circle.

Nick Drake’s ‘Northern Sky’ open tuning resolves to a Dsus4 chord (with the suspended G as the center note and F# up high)
D-A-D-G-D-F#

I was gifted knowledge of Drake while working at Rolling Stone as an intern in 1992, and ever since, ‘Northern Sky’ is the song I turn to when skies darken.…

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[track] europa sunrise [disquiet0236-hellojun(t)o]

PROCESS
The task to create a friendly “Hi” to the Juno probe based on the Morse Code for “Hi” (…. ..) became the perfect excuse to duet with my Teenage Engineering PO-16. I’ve owned it for a while and though I am fascinated by it and screw around with it at times, it hadn’t yet found its way into the studio. Part of that is because it’s one of those pieces of equipment I don’t fully understand and really can’t do much with, but its mystery deepens my affection.…

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[track] Parallel Memories [disquiet0207-remixingmarilli]

The records you make don’t freeze so much as liquify time. As with Michel, 1983 was a pivotal musical year for me, too, so this week’s challenge fired a wonderful cascade of memories.

Playing with the tonal and harmonics filters in Paulstretch, I stretched each of the three 32-year old samples to 32x their original length (and M1 also to 64x)a few times. Brought them into Sony Acid and started layering at random. Touches of reverb, compression, chorus and resonance found a sweet spot of lushness – where I was at ease with bygone days.…

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[track] Life In Candid Wonder (The Cost Of Future Tense) [Disquiet0202-CostOfFreedom]

“Creating is living doubly.”
Jean-Paul Sartre

This was the third Disquiet Junto project that revolved around Bassel Khartabil Safadi, a coder, artist and free-expression pioneer wrongfully jailed by Syria, his home country, for “harming state security.” In October, he was transferred to a secret location, and his whereabouts as of this writing are unknown. This past week (2015.11.14), disturbing rumors surfaced of a possible death sentence. The background and all current updates on Bassel’s case can be found here: http://freebassel.org

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[track] The Young Unicorns [disquiet0196-wholelottawhole]

PROCESS
In which I fire up my old-friend Casio CZ-1000, program a quasi new wave dance groove with Acid loops and sight read the notes in the photo. The CZ was set to a square wave with a slight detune and vibrato. Luckily, it goes 6-note polyphonic so it handled the 3-note chords fine. The 11-measure sequence in the photo is repeated as 8 measure sequences break it up into a couple verses, choruses and a bridge.…

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[track] split seconds [disquiet0194-clockplay]

PROCESS
I do not own a clock (or any time keeping device) that makes operational noise, so I used a CC-Attribution sample at freesound.org of 4 one-second clock ticks that looped perfectly without any cutting at 120 BPM. This juggled me a bit, since the 60 BPM clock ticks were playing in double-time to be in real-time at half-time to the track time.

The clock is layered a few times to build counter-rhythms and dynamics, to evince the double-timeness of its sampling.…

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[track] sedimentronic figures [disquiet0190-missedconnections]

PROCESS
20 bars of Rupert Lally‘s “Sediment Layers

8 bars of Ahornberg‘s “Digital Frippertronics

Loads of flying, fluttery harmonics and shifting undertones as these loops cycled together. Rupert Lally’s track loop is 30% right and ahornberg’s is 30% left in the mix and they’re both blended (smeared?) together by a slight (27% wet) band-pass (1500Hz) resonance filter and a bit of room reverb. They’re both in related keys (G and D, it seemed) so their ensuing conversation took some pretty turns.…

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[track] c swells [disquiet0189-tonelayer]

PROCESS

Single notes in the key of C, staggered and stacked to move through different chords. “Attack” was eliminated using a combination of my trusted E-bow fed through an EHX POG2 with its attack setting jacked all the way up for max swell. Tape Delay, Phaser, Reverb added for space travel (or ocean travel as the case may be here).

RIG

Fabien (Peekamoose Custom Guitars M2), EHX POG2, Small Sound / Big Sound Sparkle Motion, tc electronic flashback delay, EQD Grand Orbiter, EQD Afterneath, Strymon blueSky, Line6 POD-XT (Vox AC-30 emulation), RECORDING DAW: Sony Acid 7.0 (Win 8.1), MASTERING DAW: Harrison Mixbus 2.5 (Mac OS 10.7.5)

PROJECT

Create a dense stack of attack-free tonal material from one audio source.…

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night flight: le rêve de fabien [disquiet0181-instrumentaldream]

My latest guitar is named Fabien, after the pilot in Antoine de Saint-Exupéry’s “Night Flight.” It has quickly become my fav instrument. I read him the passage below from the book last night and woke up to this track in my DAW. Seems Fabien dreamed me reading to him in French.

A Dick Dale-esque fast-picked drone over a sample of “the world’s largest wind tunnel” simulates propellers and everything’s capped off with some more samples of 1980s weather satellite telemetry.…

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a child’s doll reflection [disquiet0180-matryoshkamusic]

PROCESS
A loose adventure in nested loops. There are a few drones (each 1 note) underneath respective two, three, four, five and six note loops. the main section consists of the two note and six note loop played together with some variation, looped six times. Everything else fades in and out.

Like memories.

I own a matryoshka as a result of a trip to Russia I took in 1985. In the course of that journey, I acted as a teenage cold war secret agent, carrying cultural and religious documents and artifacts behind the then-iron curtain.…

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Truth Is A Lonely Place In Ephemeral

Lee Rosevere and I wrote and remixed | two | versions | of “Truth Is A Lonely Place” in August 2014 for a Disquiet Junto challenge to compose a soundtrack to an endlessly-looped silent film by Josh Azzarella. Lee’s remix track eventually found its way into Disquiet.com Mark Weidenbaum’s Fall 2015 installation of the video at the San Jose Museum Of Art.

I released both tracks in November on my record, Particle Theory, as stand-alone audio pieces bookending my track Roadside Justice.…

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for whom the ice tolls [disquiet0157-icemusic2015]

PROJECT
Please record the sound of an ice cube rattling in a glass, and make something of it.

PROCESS
My 54th Junto contribution is my first stab at the ice challenge.
Dropped ice into a brandy sniffer.
Recorded into Samplr for iPad then sliced and diced with Samplr’s onboard effects and my guitar pedal board.
The ringing of the glass after the ice hit, pitched down a couple octaves and slowed, provided a distant church bell effect.…

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San Jose Museum Momentum Follow-Up

Disquiet.com’s Marc Weidenbaum and the other participants in the San Jose Museum Momentum Installation talk about their respective interventions.

Weidenbaum’s description:

The San Jose Museum of Art has uploaded this eight-minute video featuring the various folks who, like me, contributed works as “interveners” for its current Momentum exhibit, which celebrates the museum’s 45th anniversary. I talk in the video at 2:52 and 3:59.

My piece is “Sonic Frame,” a response in three screens to a video by Josh Azzarella.



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Space Walk [disquiet0152-comet67pcover]

PROJECT
Record your own cover version of the “song” sung/emitted by Comet 67P/Churyumov-Gerasimenko.

PROCESS
The comet’s rhythmic oscillations took me to a droning arpeggiation space. With this “cover,” wasn’t replicating the comet so much as evoking its spirit.

—————————————————————-

More on this 152nd Disquiet Junto project — “Record your own cover version of the ‘song’ sung/emitted by the comet Comet 67P/Churyumov-Gerasimenko”

Copyright Notice: Original Data Credit: ESA/Rosetta/RPC/RPC-MAG.
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0
http://creativecommons.org/licenses/by-nc-sa/4.0/

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San Jose Museum Momentum Installation

The Momentum exhibit runs through February at the San Jose Museum Of Art. Sound artist, writer and Junto founder Marc Weidenbaum curated the sound (as an “intervention”) for one of the installations, the video Untitled #8 (2004) by Josh Azzarella. Back in August, Marc sent out the silent video as project Disquiet0138-videosonicvoid, and challenged us to create a looping piece:

Compose a 2.5-minute soundtrack to complement the silent video “Untitled #8, 2004″ by the artist Josh Azzarella.



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