../melody in chaos
Enlightening walk-through by Mississippi writer Suzassippi with some fantastic photos of the actual location where the “Southern cross the dog” in W.C. Handy’s Yellow Dog Blues.
In 2014, the Disquiet Junto participated in an NPR Studio360 project to record modern versions of Handy’s track in honor of its 100th anniversary.…
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The greatest weapon against free thought isn't fear, but isolation. My track on this avows that Bassel was never alone. Thx @rupertlally https://t.co/BJiN3Hm0ZG
— ../westy (@westyreflector) September 5, 2017
September 05, 2017 at 05:49PM
via IFTTT
This is the fourth track I’ve recorded in honor of Bassel Khartabil Safadi, a pioneering and beloved Syrian open-source programmer who gave his life to ensuring an open web, teaching others about technology, and contributing his experience freely to help the world. Syrian military police arrested him in 2012 for unstated crimes, and held him without trial.…
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Spending this week in Venice, FL, at The Herron House. Built by architect Victor A. Lundy (FAIA) in 1957 for the Herron family, the house was restored to its original grandeur by its current owners, Ursula Kohl and Peter Bartos, in 2008. It’s a masterstroke of mid-century American imagination, and a timeless time capsule that will always feel like the future.…
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PROCESS
Thank you so much, Marc (@disquiet) for thinking of Sterling in this project. As I told Marc in an email exchange where he told me of the dedication in this week’s prompt, my thinking about how the sound waves we produce may somehow go on forever began with the Junto’s week dedicated to the death of Jefferey Melton (@Nofi).…
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extended remix of my contribution to the july 2016 disquiet junto’s collection of tracks saying “hi” in morse code to the juno jupiter probeā¦
PROCESS
The task to create a friendly “Hi” to the Juno probe based on the Morse Code for “Hi” (ā¦. ..) became the perfect excuse to duet with my Teenage Engineering PO-16. I’ve owned it for a while and though I am fascinated by it and screw around with it at times, it hadn’t yet found its way into the studio.…
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The records you make don’t freeze so much as liquify time. As with Michel, 1983 was a pivotal musical year for me, too, so this week’s challenge fired a wonderful cascade of memories.
Playing with the tonal and harmonics filters in Paulstretch, I stretched each of the three 32-year old samples to 32x their original length (and M1 also to 64x)a few times.…
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“Creating is living doubly.”
Jean-Paul Sartre
This was the third Disquiet Junto project that revolved around Bassel Khartabil Safadi, a coder, artist and free-expression pioneer wrongfully jailed by Syria, his home country, for “harming state security.” In October, he was transferred to a secret location, and his whereabouts as of this writing are unknown.…
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PROCESS
In which I fire up my old-friend Casio CZ-1000, program a quasi new wave dance groove with Acid loops and sight read the notes in the photo. The CZ was set to a square wave with a slight detune and vibrato. Luckily, it goes 6-note polyphonic so it handled the 3-note chords fine.…
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PROCESS
I do not own a clock (or any time keeping device) that makes operational noise, so I used a CC-Attribution sample at freesound.org of 4 one-second clock ticks that looped perfectly without any cutting at 120 BPM. This juggled me a bit, since the 60 BPM clock ticks were playing in double-time to be in real-time at half-time to the track time.…
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PROCESS
20 bars of Rupert Lally‘s “Sediment Layers”
8 bars of Ahornberg‘s “Digital Frippertronics”
Loads of flying, fluttery harmonics and shifting undertones as these loops cycled together. Rupert Lally’s track loop is 30% right and ahornberg’s is 30% left in the mix and they’re both blended (smeared?)…
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PROCESS
Single notes in the key of C, staggered and stacked to move through different chords. “Attack” was eliminated using a combination of my trusted E-bow fed through an EHX POG2 with its attack setting jacked all the way up for max swell. Tape Delay, Phaser, Reverb added for space travel (or ocean travel as the case may be here).…
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My latest guitar is named Fabien, after the pilot in Antoine de Saint-ExupĆ©ry’s “Night Flight.” It has quickly become my fav instrument. I read him the passage below from the book last night and woke up to this track in my DAW. Seems Fabien dreamed me reading to him in French.…
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PROCESS
A loose adventure in nested loops. There are a few drones (each 1 note) underneath respective two, three, four, five and six note loops. the main section consists of the two note and six note loop played together with some variation, looped six times. Everything else fades in and out.…
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Lee Rosevere and I wrote and remixed | two | versions | of “Truth Is A Lonely Place” in August 2014 for a Disquiet Junto challenge to compose a soundtrack to an endlessly-looped silent film by Josh Azzarella. Lee’s remix track eventually found its way into Disquiet.com Mark Weidenbaum’s Fall 2015 installation of the video at the San Jose Museum Of Art.…
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PROJECT
Please record the sound of an ice cube rattling in a glass, and make something of it.
PROCESS
My 54th Junto contribution is my first stab at the ice challenge.
Dropped ice into a brandy sniffer.
Recorded into Samplr for iPad then sliced and diced with Samplr’s onboard effects and my guitar pedal board.…
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Disquiet.com’s Marc Weidenbaum and the other participants in the San Jose Museum Momentum Installation talk about their respective interventions.
Weidenbaum’s description:
…The San Jose Museum of Art has uploaded this eight-minute video featuring the various folks who, like me, contributed works as āintervenersā for its current Momentum exhibit, which celebrates the museumās 45th anniversary.
PROJECT
Record your own cover version of the āsongā sung/emitted by Comet 67P/Churyumov-Gerasimenko.
PROCESS
The comet’s rhythmic oscillations took me to a droning arpeggiation space. With this “cover,” wasn’t replicating the comet so much as evoking its spirit.
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Copyright Notice: Original Data Credit: ESA/Rosetta/RPC/RPC-MAG.…
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The Momentum exhibit runs through February at the San Jose Museum Of Art. Sound artist, writer and Junto founder Marc Weidenbaum curated the sound (as an “intervention”) for one of the installations, the video Untitled #8 (2004) by Josh Azzarella. Back in August, Marc sent out the silent video as project Disquiet0138-videosonicvoid, and challenged us to create a looping piece:
…Compose a 2.5-minute soundtrack to complement the silent video āUntitled #8, 2004ā³ by the artist Josh Azzarella.