The records you make don’t freeze so much as liquify time. As with Michel, 1983 was a pivotal musical year for me, too, so this week’s challenge fired a wonderful cascade of memories.
Playing with the tonal and harmonics filters in Paulstretch, I stretched each of the three 32-year old samples to 32x their original length (and M1 also to 64x)a few times. Brought them into Sony Acid and started layering at random. Touches of reverb, compression, chorus and resonance found a sweet spot of lushness – where I was at ease with bygone days. The piece runs at 137.1 BPM (which is what M1 beatmapped to), so a sync’ed 8th note amplitude modulation was added to the M2 sample to create a ping-pong glitch beat at that tempo.
More on this 207th weekly Disquiet Junto project (“Rework source audio from Michel Banabila’s 1983 album, Marilli”) at:
The audio was sourced from the 1983 album Marilli by the album’s composer, Michel Banabila. This project marks the release of the 2015 album Marilli Remixed:
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