liner notes:

A soundtrack for the simulation reset.

“A cloud fitted with an iron scaffold,” wrote Disquiet’s Marc Weidenbaum about me. Weidenbaum’s analogy is a spot-on fractal, in this case of my overall approach to songwriting and composing. The “cloud” speaks to my playing with abstraction and taking flights of spaced-out fancy; the “iron scaffold” to my love and reverence for accessible, turn the radio up songs.