../melody in chaos
under the cold and darkly sky / you trip the light and go…
the cars were my fav band growing up. in my high-wire suburban teenage days, their records and lateral solo projects not only were desert island discs, they were my desert island.
the band (driven by ric ocasek’s all-lowercase, overdriven-jangle, and quirky-jerk writing) catalysed my adolescent desire and urgency to learn guitar and to write songs.…
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PROCESS
Thank you so much, Marc (@disquiet) for thinking of Sterling in this project. As I told Marc in an email exchange where he told me of the dedication in this week’s prompt, my thinking about how the sound waves we produce may somehow go on forever began with the Junto’s week dedicated to the death of Jefferey Melton (@Nofi).…
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20050301.0854
A dog’s will to live is its raison d’être. Dogs do not suffer Albert Camus’s “one truly serious philosophical problem” of suicidal ideation. The canine affirmation is automatic and compulsory — a dog will never choose to end his or her life. It simply can’t. Dogs live, and only live.…
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As a dog’s reflection is of *the* dog, not *a* dog, the opposite of a lie is *the* truth, not *a* truth.
February 20, 2016 at 04:38PM
via instagram
biggest head contest 2015.0428c
April 28, 2015 at 10:02AM
artwork: “fat boy” (2013) by leonard ursachi
via instagram
“So, human, are you game…?”…
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According to legend, the creature was capable of hunting silently, but would occasionally let out three terrifying bays, and only three, that could be heard for miles by those listening for it, even far out at sea. Those who hear the baying of the Cù-Sìth must reach safety by the third bark or be overcome with terror to the point of death……
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[AFG_gallery id=’9′]
3 Reyka vodka : 1 Elderflower.
3 sour cherries + jus.
Juice of 1/2 lime.
Muddle. Shake w/ ice.
Into highball, fizz to taste.
Garnish: 2 Rainier cherries + lime slice.
brooklyn morning walk with sterling and special guest star @CybelDP pic.twitter.com/uj4zBjhCwK
— westy reflector (@westyreflector) July 2, 2014
My contribution to the 17th week of the disquiet.com junto. The challenge was to take 30 seconds of a field recording, and slowly and seamlessly transition it into 1 of 2 given pre-existing tracks. Sounds could be added and the source tracks manipulated in any way. The first five seconds of the field recording and the last 5 seconds of the pre-existing track, however, were to be left untouched, aside from fading in and out.…
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