Tag: san jose museum of art

[aired] truth is a lonely cali

In a serene and random Creative Commons YouTube use this week, Truth Is a Lonely Place [Disquiet 0138] soundtracks a beach sunset at the 12:22 mark in a half-hour journey through California’s North Coast by videographer Michael Bonic.

The original track is off my 2014 record Particle Theory:

…and was composed in 2014 for the Disquiet Junto #0138 – Video Sonic Void.…

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Truth Is A Lonely Place In Ephemeral

Lee Rosevere and I wrote and remixed | two | versions | of “Truth Is A Lonely Place” in August 2014 for a Disquiet Junto challenge to compose a soundtrack to an endlessly-looped silent film by Josh Azzarella. Lee’s remix track eventually found its way into Disquiet.com Mark Weidenbaum’s Fall 2015 installation of the video at the San Jose Museum Of Art.

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San Jose Museum Momentum Follow-Up

Disquiet.com’s Marc Weidenbaum and the other participants in the San Jose Museum Momentum Installation talk about their respective interventions.

Weidenbaum’s description:

The San Jose Museum of Art has uploaded this eight-minute video featuring the various folks who, like me, contributed works as “interveners” for its current Momentum exhibit, which celebrates the museum’s 45th anniversary.



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San Jose Museum Momentum Installation

The Momentum exhibit runs through February at the San Jose Museum Of Art. Sound artist, writer and Junto founder Marc Weidenbaum curated the sound (as an “intervention”) for one of the installations, the video Untitled #8 (2004) by Josh Azzarella. Back in August, Marc sent out the silent video as project Disquiet0138-videosonicvoid, and challenged us to create a looping piece:

Compose a 2.5-minute soundtrack to complement the silent video “Untitled #8, 2004″ by the artist Josh Azzarella.



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Truth Is A Lonely Place (Lee Rosevere Remix) [disquiet0138]

Collaboration with Lee Rosevere, wonderful (and prolific) Canadian producer and musician.
leerosevere.bandcamp.com
happypuppyrecords.ca

Lee’s liner notes:

When this project was launched, I emailed my online buddy Westy Reflector @thereflectors to see if he’d be up for a collaboration and I was thrilled he agreed. I’ve wanted to do a big huge ambient landscape with his glorious guitar tracks and this seemed like a perfect opportunity.



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