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../melody in chaos
DaCaLuF – Saison 3 – Ep49 – Puerto Perme from David Bellais on Vimeo.
Première visite dans un village Kuna. (Panama)
Musique : Lonesome Faraway Sounds par Westy Reflector
Xclnt to find in my alerts another new DaCaLuf adventure soundtracked with a song of mine. Since 2014, videographer David Bellais‘s videos have been some of my fav CC uses.…
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I DEMAND Bassel Khartabil's DATE OF DEATH and REMAINS returned to his family for mourning to begin #freebassel https://t.co/srejWEzcVE
— ../westy (@westyreflector) September 15, 2017
September 15, 2017 at 04:30PM
via IFTTT
The greatest weapon against free thought isn't fear, but isolation. My track on this avows that Bassel was never alone. Thx @rupertlally https://t.co/BJiN3Hm0ZG
— ../westy (@westyreflector) September 5, 2017
September 05, 2017 at 05:49PM
via IFTTT
This is the fourth track I’ve recorded in honor of Bassel Khartabil Safadi, a pioneering and beloved Syrian open-source programmer who gave his life to ensuring an open web, teaching others about technology, and contributing his experience freely to help the world. Syrian military police arrested him in 2012 for unstated crimes, and held him without trial.…
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Dedicated to the memory of Berta Cáceres and to the ongoing effort to free Bassel Khartabil.
…distant cries
of cracked-down souls
trapped underground
church bells at dawn
ringing for ones
silenced by crowdshigh lonesome faraway sounds
filtered through the air
echoing off clouds
lost frequencies explain
the essence that remains
high lonesome faraway soundscould be something coming
up through the earth or
falling from the sky
warning calls to stay away
no need to amplify[ch.]
“Creating is living doubly.”
Jean-Paul Sartre
This was the third Disquiet Junto project that revolved around Bassel Khartabil Safadi, a coder, artist and free-expression pioneer wrongfully jailed by Syria, his home country, for “harming state security.” In October, he was transferred to a secret location, and his whereabouts as of this writing are unknown.…
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PROCESS
Connected to this assignment, and wanted to do some small part to keep Bassel’s cause and case out front. I’m not a foley artist and field recording is not my game, though, so consider this less a soundscape than a track that might run over closing credits.
Married some royalty-free congas, tambourines and trap kit loops on an Acid timeline.…
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