A 2nd remix by Bassling (Jason Richardson) of my riding waves. In it, Bassling adds his deft bass to Lee Rosevere‘s percussion and vibraphone, my guitar and nofi‘s original track. This rounded-out full-on quartet performance creates unexpected harmonic convergences and becomes a whole (and real) band – thankfully without van politics, ego mastications and “yellow-M&Ms-only” rider demands.
From the soundcloud track description:
Response to Happypuppy2 – Nofi-westy-lr-riding-high and Thereflectors – Riding-waves with a detour via Basslingsss – Unmistakeable-release
More on this 132nd Disquiet Junto project — “Collaborate with the late Jeffrey (Nofi) Melton using a previous tribute track” — at:
Posted in aired|reviewed|remixed
Tagged ambient, australia, Bassling, canada, creative commons, disquiet junto, instrumental, Lee Rosevere, nofi, remix.reflector, transient lines, vancouver, wagga wagga
Australian multi-instrumentalist Bassling (née,Jason Richardson) describes himself as “exploring the nether regions of the frequency spectrum and delighting in their visceral response.” Well, his nether regions are our visceral pleasure, too. Through the years, he’s cast a wide and adroit musical net, moving with ease from slash-and-burn low-frequency smolder, to anti-slash-and-burn environmental activist field recordings, to flash-and-turn dance mixes. These modes, in BasslingWorld, interchange and interact, often balancing high-concept and poignancy, as on his record For 100 Years (above), created from a series of field recordings at playgrounds around his Oz town of Wagga Wagga (Leeton). Liner notes vía bandcamp:
Imagine the stories they could tell
if playgrounds talked
or maybe sang?
He remixed my track riding waves [disquiet0066-nonofi] for the 132nd junto challenge, which prompted this deep return to his catalog.
His virtuosity combined with entertaining, revelatory track descriptions at his blog (which take a tone of charming irascibility and often include kick-ass videos of his recording process) have resulted in some of my absolute fav junto pieces. His track for the 110th junto challenge, Of Leeton Yesterday Morn, sees Bassling celebrating the 100th birthday of William S. Burroughs in a “cut-up” track based on this story from his local newspaper, The Irrigator, about a series of botched break-ins:
And in Steady Boil, for the 131st junto challenge, Bassling conducted a tea kettle in a minimalist symphony that manages to be philosophical, mechanical and fun all at once:
Run around his cunning-as-a-dunny-rat universe at:
Australian multi-instrumentalist Bassling layered a haunting bass line and Rust Cohle’s (Matthew McConaughey) equally chilling rumination on death from True Detective over my track riding waves [disquiet0066-nonofi].
I added a favourite monologue from True Detective where Rusty Cohle ruminates on death. My partner immediately called out that it worked, so I left it in.
Despite the somber nature of the 132nd junto project (which revisits collaborations with the late Jeffrey (Nofi) Melton, and which as of this writing I am still trying to take a stab at), I am thrilled that Bassling would see inspiration in my track. That Wagga Wagga (Leeton), Australia, is his home base adds to the thrill – irrefutable proof that my tracks have journeyed all the way around the world and back. That the track is riding a wave created by Nofi makes this even sweeter.
Run around Bassling’s cunning-as-a-dunny-rat universe at:
Posted in aired|reviewed|remixed
Tagged australia, Bassling, creative commons, disquiet junto, instrumental, jeffrey melton, leeton, nofi, remix.reflector, riding waves, rust cohle, transient lines, true detective, wagga wagga