Tag Archives: sterling


[track] sterling fades [disquiet0260-tonefade]

PROCESS
Thank you so much, Marc (@disquiet) for thinking of Sterling in this project. As I told Marc in an email exchange where he told me of the dedication in this week’s prompt, my thinking about how the sound waves we produce may somehow go on forever began with the Junto’s week dedicated to the death of Jefferey Melton (@Nofi). This week brings much of that exploration full circle.

Nick Drake’s ‘Northern Sky’ open tuning resolves to a Dsus4 chord (with the suspended G as the center note and F# up high)
D-A-D-G-D-F#

I was gifted knowledge of Drake while working at Rolling Stone as an intern in 1992, and ever since, ‘Northern Sky’ is the song I turn to when skies darken. Felt right to invoke it here by striking its open chord for a few minutes. (Note: Soundcloud’s auto-compression revealed my perceived silences to be not so silent. Hi ho.)

Sterling passed in our home at the hand of kind veterinarians, on a soft rug, with easy, knowing caresses on 22 December 2016 ~6:20 EST. I trust he’s suspended somewhere now between space & time in painless parallel peace. Fwiw, we had David Bowie on random shuffle and ‘Absolute Beginners’ came on as the process began. Perfect is a strange word in this context, but life works in curious ways sometimes to deliver solace.

All the love.

:^D

RELEVANT EXTERNAL LINKS:
My reflections on Sterling:
https://medium.com/westyreflector/sterling-at-the-gates-dcff944b76df

Alan Watts on how the universe is made of vibrations:
https://www.youtube.com/watch?v=rhHfKqLR6NI
https://www.youtube.com/watch?v=fmkwqn0mSQs

My prior piece “Riding Waves” to honor the passing of Nofi:
https://soundcloud.com/thereflectors/riding-waves

RIG
Guitar:
Jolie (2000 Gibson ES-335 DOT reissue, modded 100% with custom http://peekamoose.com electronics)

Pedal Board:
EQ Devices The Warden optical compressor -> Lotus Pedals SnowJob Underdrive -> tc electronic Flashback delay -> Diamond Tremolo -> EQ Devices Grand Orbiter -> EQ Devices Afterneath -> Strymon blueSky Reverb

Recording:
Line6 POD-XT (Blackface Lux emulator) -> MOTU 828mk2 firewire interface -> AcidPro 7.0 -> Harrison Consoles Mixbus (Mastering)

META
More on this 260th weekly Disquiet Junto project — “Tone Fade: An exercise in when a sound ends

(This project is for Sterling.)

More on the Disquiet Junto

Subscribe to project announcements.

Project discussion takes place on llllllll.co:
http://llllllll.co/t/disquiet-junto-project-0260-tone-fade/5809

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Photo associated with this project is by Michel Banabila, used thanks to a Creative Commons license:
flic.kr/p/5GB7bn


[real life] Sterling At The Gates

2005-gates-2
20050301.0854

medium.com mirror

A dog’s will to live is its raison d’être. Dogs do not suffer Albert Camus’s “one truly serious philosophical problem” of suicidal ideation. The canine affirmation is automatic and compulsory — a dog will never choose to end his or her life. It simply can’t. Dogs live, and only live.

A dog, by extension, affirms all lives it touches. Life’s entirety, of course, comprises a spectrum of emotions and ricocheting perspectives on reality — from nihilism to optimism, frustration to contentment, abandonment to love. A dog brought home becomes a nexus and repository for all that home’s experiences, memories and outlook.

Projecting a dog’s POV through ours, there’s beauty in their affirming life while (perhaps) never knowing that life is an opt in/out choice. The phrase “dogged determination” is doggone true. We don’t know what a dog knows, but we sense — and communicate through — some kind of mutual sentience. The true paradox of our cross-species communication surfaces as our dogs act with intention: we know they think — but only because we can’t tell what they’re thinking. 

(The know-can’t-tell paradox will also be true in determining whether an artificial intelligence achieves true sentience, but this story here’s about organic lifeforms. Ignore the robots around us, for now.)

Continue reading


[vid] slo-mo(cean) shake

slo-mo(cean) shake

A video posted by westyreflector (@westyreflector) on


[img] *the* truth, not *a* truth

As a dog’s reflection is of *the* dog, not *a* dog, the opposite of a lie is *the* truth, not *a* truth.
February 20, 2016 at 04:38PM
via instagram


[img] biggest head contest 2015.0428c

biggest head contest 2015.0428c
April 28, 2015 at 10:02AM
artwork: “fat boy” (2013) by leonard ursachi
via instagram


[vid] snowdog 0221b: 4th ave median

[vid] snowdog 0221b: 4th ave median


self awareness


“So, human, are you game…?”

“So, human, are you game…?”


The elusive Brooklyn Cù-Sìth.

According to legend, the creature was capable of hunting silently, but would occasionally let out three terrifying bays, and only three, that could be heard for miles by those listening for it, even far out at sea. Those who hear the baying of the Cù-Sìth must reach safety by the third bark or be overcome with terror to the point of death…


[vine] monday morning zen: sterling waterfall


[vine] c’mon c’mon c’mon c’mon… no? ok, fine.


dream state: montauk, ny

[AFG_gallery id=’9′]


facing wednesday


Summer Cherryflower

3 Reyka vodka : 1 Elderflower.
3 sour cherries + jus.
Juice of 1/2 lime.
Muddle. Shake w/ ice.
Into highball, fizz to taste.
Garnish: 2 Rainier cherries + lime slice.


morning walk guest star


sunday: shaded sterling

View in Instagram ⇒


waterfall love [disquiet0017-transition]

My contribution to the 17th week of the disquiet.com junto. The challenge was to take 30 seconds of a field recording, and slowly and seamlessly transition it into 1 of 2 given pre-existing tracks. Sounds could be added and the source tracks manipulated in any way. The first five seconds of the field recording and the last 5 seconds of the pre-existing track, however, were to be left untouched, aside from fading in and out.

I found a very pretty major chord arpeggio in the Lee Rosevere track, “The Day Love Came In The Mail” (link below) and mainly floated it up to its 5th and 7th and back down to the root a few times. The one grand manipulation (grand, for lo-fi me) was to separate the track’s left and right channels and treat each as its own entity until the final 10 seconds or so, when I sync’ed them back together as per the challenge. This allowed me to isolate the arpeggio in the left channel and pan it against the more floaty ambience contained in the right channel. Finally, I added a couple of spare beats hanging out on my media drive and some reverb & resonance to the ambient channel and to the fade-out of the waterfall during the middle section. Despite all the reworking and additions, I didn’t want to adulterate either source track too much as they both brought me such peace. So I hope most of the process here isn’t all that noticeable and you just float away on it for a couple minutes.

The field recording of the waterfall is from the audio track of a video I shot while walking my dog, Sterling (pictured), in Prospect Park, Brooklyn, on Saturday 28 April 2012. I retrofitted the video to the finished audio piece, which you can check out here. Sterling’s not in the video, unfortunately, but it was a pretty day.

vimeo.com/41306430

This audio track includes a segment of “The Day Love Came In The Mail” by Lee Rosevere off the album Play 3 on the WM Recordings netlabel, thanks to Creative Commons license. More information at:
archive.org/details/WM074_900
www.wmrecordings.com/free-downloads…severe-play-3/

More details on the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/info