Tag Archives: peace


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save the world (from ourselves)

sirens out my window
echo down the alleyway
explosions and fragmentation waves
made the city shift and shake

we saw it loud
we heard it clear
‘cos no one lives in isolation here

now we have to save the world again
so zero out time
because now is then
baby, take a look around you
save your requiems
we’re gonna have to save the world from ourselves again…

driverless cars running the lights
everywhere we are tonite

think it over
think it through
in this moment, who are you?

save your requiems
we’re gonna have to save the world
from ourselves again
and again…

12.1995; 02.2001; 08.12.01 12:25a
09.07.03 9:09a; 12.05.2014 1:22a; 12.08.2014 4:24p
12.10.2014 5:40p; 12.15.2014 11:01p


There Goes The Sky

I set out walking, just to find a friend,
Make a human connection in a world of pretend,
To share faith in the future, in the face of decay,
‘Cos when you can’t escape the night, every dawn is the end of days.

The walls get high,
The darkness amplifies,
(And) there goes the sky.

You can understand but it doesn’t mean you feel.
The hardest things to show are the easiest to conceal.
Actions can destroy more than words can heal.
God save us all when all the truths are revealed.

The walls get high.
The darkness amplifies.
(And) there goes the sky.


Drifting Moon / Spinning Earth (drum remix)

So this is awesome. Producer and musician Lee Rosevere asked if he could “bash and crash” over Drifting Moon / Spinning Earth, so I stripped the original drum and percussion tracks and sent him a pre-master studio file. From 3000 miles away, he came back with the glorious result above.

From his SoundCloud description:

Westy Reflector recently posted this song of his:

I really liked it, but wondered what it would sound like with [different] drums. Graciously he sent me the bed tracks and this is the result.

Lee Rosevere
Happy Puppy Records
Twitter
YouTube
Free Music Archive


intransitive disapperance [disquiet0108-freebassel]

PROCESS
Connected to this assignment, and wanted to do some small part to keep Bassel’s cause and case out front. I’m not a foley artist and field recording is not my game, though, so consider this less a soundscape than a track that might run over closing credits.

Married some royalty-free congas, tambourines and trap kit loops on an Acid timeline.
Selected two samples of Bassel speaking from the video: “I’m sorry I can’t see you.” and “That can be controlled.”
Locked in a drone with an EHX Superego and Freeze running through a Strymon Blue Sky.
Improvised a bed with an ebow.
Then riffed around the most “eastern” scale I know. The result may be more Spanish Gypsy than Syrian, but still felt Mediterranean. Just wanted to evoke a mood.

“The absurd is the essential concept and the first truth.”
– Albert Camus

We can all be disappeared now. More and more it’s an intransitive verb.

Peace,
:^D

PROJECT
Disquiet Junto Project 0108: Free Bassel

For this week’s project, we’re going to create soundscapes for an ancient Middle Eastern city. And in the process, we’re going to raise awareness about an imprisoned open-source developer with strong ties to the Creative Commons community. Bassel Khartabil, before his arrest on March 15, 2012, in Damascus, was working on several projects, among them a 3D rendering of the ancient city of Palmyra. Much as Bassel was trying to revive an ancient world, you are, in essence, keeping one of his projects alive while he is incapable of doing so.

The project instructions are as follows:

Step 1: View this video for background on Bassel’s digital Palmyra project:

www.youtube.com/watch?v=7G7fyWS-ysA

Step 2: If you aren’t viewing this instruction on the Disquiet.com project page, go to the following URL to view three still images from Bassel’s 3D work:

disquiet.com/2014/01/23/disquiet0108-freebassel/

Step 3: Create a soundscape of between one and three minutes that might be employed in an immersive, completed digital visualization of ancient Palmyra.

————————————–

More on this 108th Disquiet Junto project (“Create a soundscape for the ancient Syrian city of Palmyra.”)

More on the Disquiet Junto

Join the Disquiet Junto

More on the campaign to free Bassel

For their collaboration on this project, special thanks to: Niki Korth, Barry Threw, and Jon Phillips.


Cover Club: Isn’t It A Pity

there are too many people
who can’t see we’re all the same

George Harrison’s Isn’t It A Pity. Recorded Halloween 2006.