Eye-Roll 20190617a

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Most car horn use is an expression of a driver’s loneliness, masked as urgency.

Car horns should not only be all in the same key, but also the same mode. Doesn’t have to be major. I’ll take Mixolydian, even Aeolian.

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Frivolous horn use should be per honk – $0.25 for the first second of duration, $1.00 each additional second. Call the oversight/enforcement system HornHeeder …

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Drifting Moon / Spinning Earth (drum remix)

So this is awesome. Producer and musician Lee Rosevere asked if he could “bash and crash” over Drifting Moon / Spinning Earth, so I stripped the original drum and percussion tracks and sent him a pre-master studio file. From 3000 miles away, he came back with the glorious result above.

From his SoundCloud description:

Westy Reflector recently posted this song of his:

I



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manhattan bridge [henry chalfant] train

manhattan bridge train [disquiet0011] [off still echoes (2013) and a disquiet junto project] runs underneath a look at the Pera Museum’s (Istanbul, Turkey) “Language Of The Wall” exhibition of photographs by Henry Chalfant of New York City subway car graffiti and street-art.

A perfect ride for my track.

Published on Sep 22, 2014
Language of the Wall: Graffiti / Street Art
13 August



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one city

she walks into union square
sends the pigeons flying
didn’t think i’d find her there
didn’t think of trying

she sits on a bench above the subway
as the trains rumble by
i see her shake

inside the hiss of a subway’s brakes
it means everything and nothing just the same

a city
to strangers
one city
two strangers…

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no brooklyn bound [disquiet0018-3×3]

sound 1: field recording – downtown new york city subway 6 train weekend service disruption announcement and surrounding ambience. recorded with iphone garageband.
sound 2: constructed beat – iphone garageband drum samples
sound 3: synth – programmed iphone animoog

minute 1: the drum is primary, backed by stabs and swoops of the synth and cut up portions of the subway announcement.
minute 2: the …

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waterfall love [disquiet0017-transition]

My contribution to the 17th week of the disquiet.com junto. The challenge was to take 30 seconds of a field recording, and slowly and seamlessly transition it into 1 of 2 given pre-existing tracks. Sounds could be added and the source tracks manipulated in any way. The first five seconds of the field recording and the last 5 seconds of the pre-existing track, however, …

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