Tag Archives: Lee Rosevere


[aired] GoPro Underwater C Swells (w/ bonus Lee Rosevere)

Xtra fun w/the mixed in sounds. I’ve always wondered what the dish felt like being washed. And always great when Lee Rosevere and I manage to collaborate – even asynchronously through a stranger!
:^D

via FoodLoveMusic YouTube

Published on Sep 29, 2016
GoPro+ water test.

Music:
Lee Roseveres – Dusk
Westy Reflector – C Swells


[dispatch] three fav words 062216.1923

June 22, 2016 at 07:23PM
via IFTTT


Below The Decks: The Shimmer Of Sealegs

Broadcasting since 1922 from Kingston, Onterrible, CFRC 101.9 FM is Canada’s longest-running campus-based broadcaster and a “100% not-for-profit, volunteer-powered media that fills the gap left by the mainstream.” The acronym, however, does not stand for Canadian Free Radio Company, but, rather, “Canada’s Famous Rugby Champions,” since sports broadcasts comprised most of the station’s original programming, save for a few lectures, concerts and convocations.

Here in 2015, my ambient tracks Truth Is A Lonely Place and The Shimmer Of Stars In Green Water [both off Particle Theory (2014)] were played on two successive Tuesday broadcasts of the Below The Decks show, hosted by a mellifuous DJ and sound artist, K.L. Sealegs (twitter, tumblr, free music archive), whose musical erudition and classic Canadian wit match her eloquence.

Friend and collaborator Lee Rosevere appeared on the 10 February show, where Sealegs interviewed him on his life and work while showcasing a few of his tracks, one of which was our collab Truth Is A Lonely Place. In the ensuing week, she listened to the rest of Particle Theory and played The Shimmer Of Stars In Green Water on the 17 February broadcast. Sealegs also read the liner notes to Particle Theory as the track faded out, her transcendental voice resulting in a definitive interpretation of the passage’s spirit. In both shows’ playlists, I ended up in the midst of esteemed company. Such a kick.

Links:

10 February 2015 (Truth Is A Lonely Place opens Hour 2…)
Download / Stream: hour 1 (mp3)
Download / Stream: hour 2 (mp3)
Artists On The Playlist: ninos du brazil, theo parrish, bonobo, anenon, rival consoles, gunnar has lam, litterbug, lee rosevere, kl sealegs, westy reflector, ian william craig, donnacha costello

17 February 2015 (The Shimmer Of Stars is 2nd to last track, Hour 2…)
Download / Stream: hour 1 (mp3)
Download / Stream: hour 2 (mp3)
Artists On The Playlist: badbadnotgood, theo parrish, moodymann, caribou, planningtorock, cosmic cowboys, the mole, d’angelo, conforce, nicolas jaar, vc vibes, bruce haack, peaking lights, master musicians of bukkake, x.y.r., sebastian mullaert & eitan reiter, westy reflector, kyle bobby dunn

Hear KL Sealegs’ original solo music at the Free Music Archive and from her group Fire Moss at their bandcamp page.




Truth Is A Lonely Place In Ephemeral

Lee Rosevere and I wrote and remixed | two | versions | of “Truth Is A Lonely Place” in August 2014 for a Disquiet Junto challenge to compose a soundtrack to an endlessly-looped silent film by Josh Azzarella. Lee’s remix track eventually found its way into Disquiet.com Mark Weidenbaum’s Fall 2015 installation of the video at the San Jose Museum Of Art.

I released both tracks in November on my record, Particle Theory, as stand-alone audio pieces bookending my track Roadside Justice. I wrote Roadside Justice the same week as the challenge last August and the title “truth is a lonely place” was taken from its lyrics.

Randomly, both our tracks were picked up from the freemusicarchive by Malta video game designers Alan Duca, Mark Magro, Jean-Pierre Brincat, Moira Zahra and Mark Scicluna, and looped continuously through their experimental game called Ephemeral, developed for the 2015 Global Game Jam in January. They won a couple awards (including “Most Unusual Game”) and high praise from Calum Fraser at AlphaBetaGamer. Animated by Zahra and written by Brincat, the game is described as thus:

Two beings plummet simultaneously towards their death. Letters and faint lights tumble along in the background. How will they deal with this predicament?

Eerie and wonderful all at once, given the source material that Lee & I composed to. Azzarella’s silent video is a “never-ending-loop” of a man falling from the World Trade Center on 11 September 2001:

Untitled #8, 2004 from Josh Azzarella

It’s a loop come full circle…

Read more about the original track and disquiet junto challenge.

Read more about Marc Weidenbaum’s installation of Azzarella’s video at the museum’s Momentum Exhibit, which runs through 22 February 2015.


San Jose Museum Momentum Follow-Up

Disquiet.com’s Marc Weidenbaum and the other participants in the San Jose Museum Momentum Installation talk about their respective interventions.

Weidenbaum’s description:

The San Jose Museum of Art has uploaded this eight-minute video featuring the various folks who, like me, contributed works as “interveners” for its current Momentum exhibit, which celebrates the museum’s 45th anniversary. I talk in the video at 2:52 and 3:59.

My piece is “Sonic Frame,” a response in three screens to a video by Josh Azzarella. Each screen contains a unique set of seven different audio tracks composed to complement it, so each time the video plays anew it is accompanied by different sounds. Among the participating musicians are Taylor Deupree, Natalia Kamia, Julia Mazawa, Steve Roden, Naoyuki Sasanami, Christina Vantzou, Stephen Vitiello, and Scanner.

The Momentum exhibit runs from October 2, 2014, through February 22, 2015. More on the exhibit here (“How Sound Frames Vision”) and at sjmusart.org. Video hosted at youtube.com.

From the Museum’s YouTube description:

Published on Dec 23, 2014
What happens when a museum invites a ballet dancer, a bicycle designer, a bodypainter, a calligrapher, a cartoonist, a comedian, an inventor, a poet, a sound artist, and a yarn-bomber to “intervene” in an exhibition? Learn about the ten super creative people behind the exhibition “Momentum: an experiment in the unexpected.” The exhibition is on view through February 22, 2015.

The exhibit runs through 22 February 2015.

My original post on the exhibit, including a list and links to all the artists involved.


Infinite Italian Cycling Destination

Trailer for a crowd sourced documentary about a day in the cycling life around Torino, Italy. Uses my track Infinite Destination [off Hola, Sayulita! (2010) and Reflected.10×10 (2012)] and in a brilliant case of bona fortuna, my friend Lee Rosevere’s stellar slice of electro-acoustic positivity, These Moments [off Music For Malls (2014)].

Contromano il film – Trailer from Stefano Gabbiani on Vimeo.

Un film documentario di S. Gabbiani.
Un viaggio in bici e sulle bici, nell'arco ideale di una giornata, dall'alba alla notte, tracciando gli orizzonti di Torino, emblema di città post-industriale: speranze e grandi opportunità per reinventarsi, accompagnate alle difficoltà di chi arranca con fatica.

Il film è in fase di post-produzione dal mese di novembre 2014: segui e sostieni la campagna crowdfunding su "Produzioni dal Basso":
https://www.produzionidalbasso.com/project/contromano/

https://www.facebook.com/ContromanoFilm

Regia: Stefano Gabbiani
Aiuto regia e camera: Elisabetta Michienzi
Seconda camera: Angelo D'Agostino
Produzione: Lacumbia Film

Musiche trailer:
Infinite Destination – Westy Reflector cc by-nc-sa
These Moments – Lee Rosevere cc by-nc


San Jose Museum Momentum Installation

The Momentum exhibit runs through February at the San Jose Museum Of Art. Sound artist, writer and Junto founder Marc Weidenbaum curated the sound (as an “intervention”) for one of the installations, the video Untitled #8 (2004) by Josh Azzarella. Back in August, Marc sent out the silent video as project Disquiet0138-videosonicvoid, and challenged us to create a looping piece:

Compose a 2.5-minute soundtrack to complement the silent video “Untitled #8, 2004″ by the artist Josh Azzarella. The video is intended by the artist as a “Never Ending Loop,” as is this audio accompaniment.

Untitled #8, 2004 from Josh Azzarella

Marc “intervened” the video for Momentum with 21 sound pieces, including 14 that were created for disquiet0138-videosonicvoid, to loop over 3 different screens.

For Marc Weidenbaum, Josh Azzarella’s video Untitled #8, in which a form slowly shifts, suggests a visual parallel to the ethereal nature of sound: perceptible yet intangible. Through his online collaborative project Disquiet Junto, Weidenbaum collected and curated original works of music and sound from an international community of colleagues, which he then added to unsynced iterations of Azzarella’s silent video. Intended to explore transformation and stasis, the sound elements create auras, halos, and contextual sonic frameworks that gently alter the viewer’s experience and perception of Azzarella’s video art.

Screen #2 incorporated a remix of my track done by Lee Rosevere, who had asked me to create something for him to use that week:

This is my original:

I am ecstatic that my work is in a contemporary museum. It’s even sweeter that the tracks were the result of spontaneous collaborative processes that echo and fractal much of what’s good about our current technological environment.

The other artists Marc used put me in esteemed company, to say the least:

Screen.01
Taylor Deupree
Van Stiefel
Natalia Kamia
Naoyuki Sasanami
Carlos Russell
Mark Rushton
Paolo Mascolini (Sozu)

Screen.02
Stephen Vitiello
Steve Roden
ævol
Marcus Fischer
Julia Mazawa
Westy Reflector + Lee Rosevere
Ezekiel Kigbo (The Atlas Room)

Screen.03
Steiner (Stijn Hüwels)
Christina Vantzou
Scanner
Inlet (Cory K.)
Jean Reiki
Marco Raaphorst
bad trails

Finally, here is what the exhibit looks like:


Drifting Moon / Spinning Earth (drum remix)

So this is awesome. Producer and musician Lee Rosevere asked if he could “bash and crash” over Drifting Moon / Spinning Earth, so I stripped the original drum and percussion tracks and sent him a pre-master studio file. From 3000 miles away, he came back with the glorious result above.

From his SoundCloud description:

Westy Reflector recently posted this song of his:

I really liked it, but wondered what it would sound like with [different] drums. Graciously he sent me the bed tracks and this is the result.

Lee Rosevere
Happy Puppy Records
Twitter
YouTube
Free Music Archive


Truth Is A Lonely Place (Lee Rosevere Remix) [disquiet0138]

Collaboration with Lee Rosevere, wonderful (and prolific) Canadian producer and musician.
leerosevere.bandcamp.com
happypuppyrecords.ca

Lee’s liner notes:

When this project was launched, I emailed my online buddy Westy Reflector @thereflectors to see if he’d be up for a collaboration and I was thrilled he agreed. I’ve wanted to do a big huge ambient landscape with his glorious guitar tracks and this seemed like a perfect opportunity.

He wrote an original song and sent me the stems (guitar, drone, drums) and you can hear his original version here:
Thereflectors – Truth-is-a-lonely-place

I added lots of reverb (as I love reverb) and piano pads and bass in Ableton Live to his original unedited guitar tracks.

I then mixed a second version, using only an excerpt from his original guitar track and looped it over the newly-created background – this is the version here, which seems to work best when sync’d to the video (vimeo.com/21678371)

It also fits in the sense that Josh Azzarella’s work largely deals with taking an image and “altering or removing the punctual event in the image.” (www.joshazzarella.com/about/)

Huge thanks to Westy for wanting to work on this together, as he could’ve (and did) come up with something excellent completely on his own and didn’t need me at all to drench it in reverb… but it was a great experience and I’m greatly looking forward to the next opportunity.

****

——————————————————-
More on this 138th Disquiet Junto project — “Compose a 2.5-minute soundtrack to complement a work of silent video art″ — at:
disquiet.com/2014/08/21/disquie…38-videosonicvoid/

More on the Disquiet Junto at:
disquiet.com/junto

Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
disquiet.com/forums/

The image associated with this track is a still from the video that inspired it: “Untitled #8, 2004″ by Josh Azzarella.


truth is a lonely place [disquiet0138-videosonicvoid]

PROJECT
Compose a 2.5-minute soundtrack to complement the silent video “Untitled #8, 2004″ by the artist Josh Azzarella. The video is intended by the artist as a “Never Ending Loop,” as is this audio accompaniment.

Untitled #8, 2004 from Josh Azzarella on Vimeo.

If not visible above, view the video here:
vimeo.com/21678371
www.joshazzarella.com/videoworks200408/

PROCESS
Lee Rosevere (@happypuppyrecords and @happypuppy2) emailed me shortly after this project went live, suggesting we collaborate and that I might start him off with a few guitar melodies. This is the original track I cut for him. I also sent him stems, and he ended up slicing, looping and manipulating my guitar to construct a brilliant rework, which I consider to be the definitive version of the track.

It’s always fun to see into the DNA of a remix, and the Junto is nothing if not about shared spaces, so I uploaded my track to the group, in addition to Lee’s putting his up, for the weekend-geneticist thrill of it.

——————————————————-

More on this 138th Disquiet Junto project — “Compose a 2.5-minute soundtrack to complement a work of silent video art″

More on the Disquiet Junto

Join the Disquiet Junto

Disquiet Junto general discussion

The image associated with this track is a still from the video that inspired it: “Untitled #8, 2004″ by Josh Azzarella.


windfall on the liz berg show (wfmu)

WFMU’s Liz Berg from 6/27/2014

Few things are more awesome (or cool or hot or sick or tight or quiche or jelly or whatever euphemism you use to say “yes!”) than getting played on WFMU. In this case, my track Windfall (also at the Free Music Archive) spun midway through the June 27th episode of the Liz Berg show, which airs every Monday morning from 9 to noon (podcast stream/download/subscription available at link).

Berg’s show is…

Fist-pumping, air-drumming freeform mayhem. Caffeinated rock, experimental pop, oddball beats, and novelties.

In a burst of wonderful synchronicity, the show opened with a track called Cerulean by The Electric Amygdala, a nom-de-plume of Canadian producer, musician and sound artist (and good friend) Lee Rosevere.

PLAYLIST
The Electric Amygdala | Cerulean
FP | Trace
Deadly Combo | Basement Music (Up In The Attic Instrumental)
Walt Thisney | Holy Chao
Nicky Apple | Some Foods Live in Cans, It’s Sad
Westy Reflector | Windfall
VYVCH | Barely Baked
Miami Slice | Solid Gold
No Loli-Gagging | Tokyo Beat
Ergo Phizmiz | Holiday
Ed Schrader’s Music Beat | No Fascination
Tunnel of Love | Troglodyte Blues


Bassling + Lee Rosevere + Nofi: Riding High Waves (remix of “riding waves”)

A 2nd remix by Bassling (Jason Richardson) of my riding waves. In it, Bassling adds his deft bass to Lee Rosevere‘s percussion and vibraphone, my guitar and nofi‘s original track. This rounded-out full-on quartet performance creates unexpected harmonic convergences and becomes a whole (and real) band – thankfully without van politics, ego mastications and “yellow-M&Ms-only” rider demands.

From the soundcloud track description:

Response to Happypuppy2 – Nofi-westy-lr-riding-high and Thereflectors – Riding-waves with a detour via Basslingsss – Unmistakeable-release

More on this 132nd Disquiet Junto project — “Collaborate with the late Jeffrey (Nofi) Melton using a previous tribute track” — at:
disquiet.com/2014/07/10/disquie…osthumousnofitrio/


Lee Rosevere: Riding High Waves (remix of “riding waves”)

Canadian musician, producer and label founder Lee Rosevere used my riding waves for the 132nd disquiet junto challenge, adding hi-hats, cymbals and triggered rhythmic vibraphone flourishes. His additions lend an elegance to the track, highlighting and engaging all sorts of spaces without causing any clutter. From the soundcloud track description:

I didn’t want to get in the way of Westy’s guitar and took a cue from his introduction of the melody of “Mercy Street” to play mostly hi-hat and cymbals, ala Stewart Copeland (who appears playing cymbals on Peter Gabriel’s SO album.. but not on “Mercy Street”).

To temper my inclination to play too much, I set the rest of the pads to play tuned vibraphone notes, which hopefully interplay with the vibe sound on nofi’s original track.

Lee Rosevere
Happy Puppy Records
soundcloud-1
soundcloud-2
bandcamp
free music archive
twitter


fire in the arcade (the reflectors)

I recorded and released records as The Reflectors from 2000 to 2010 (most of the band’s catalog is on Spotify, iTunes, CDbaby, Bandcamp, etc…). Arcade Fire co-opted my homonym this year and has been touring as “The Reflektors.” So I’ve resurrected my Reflectors to return the favor. Big HT to Lee Rosevere at @happypuppyrecords for the idea.

There’s a fire in the arcade
It’s never going out
A cold war never ending
A whole world cast in doubt

Just remember I’ll be easily found
‘Cos you lit the place on fire, but never burned it down

You blacked out Coney Island
And shorted out the games
You left the Cyclone to the ocean
And chained me to your name

Now I’m the lone Defender
A dream that never fades
And today became forever
Inside these arcade flames

Now you’re dancing on my ashes
I’m dispersed into a cloud
You got everything you wanted
Locked me in from without

Just remember I’ll be easily found
‘Cos you lit the place on fire, but never burned it down


waterfall love [disquiet0017-transition]

My contribution to the 17th week of the disquiet.com junto. The challenge was to take 30 seconds of a field recording, and slowly and seamlessly transition it into 1 of 2 given pre-existing tracks. Sounds could be added and the source tracks manipulated in any way. The first five seconds of the field recording and the last 5 seconds of the pre-existing track, however, were to be left untouched, aside from fading in and out.

I found a very pretty major chord arpeggio in the Lee Rosevere track, “The Day Love Came In The Mail” (link below) and mainly floated it up to its 5th and 7th and back down to the root a few times. The one grand manipulation (grand, for lo-fi me) was to separate the track’s left and right channels and treat each as its own entity until the final 10 seconds or so, when I sync’ed them back together as per the challenge. This allowed me to isolate the arpeggio in the left channel and pan it against the more floaty ambience contained in the right channel. Finally, I added a couple of spare beats hanging out on my media drive and some reverb & resonance to the ambient channel and to the fade-out of the waterfall during the middle section. Despite all the reworking and additions, I didn’t want to adulterate either source track too much as they both brought me such peace. So I hope most of the process here isn’t all that noticeable and you just float away on it for a couple minutes.

The field recording of the waterfall is from the audio track of a video I shot while walking my dog, Sterling (pictured), in Prospect Park, Brooklyn, on Saturday 28 April 2012. I retrofitted the video to the finished audio piece, which you can check out here. Sterling’s not in the video, unfortunately, but it was a pretty day.

vimeo.com/41306430

This audio track includes a segment of “The Day Love Came In The Mail” by Lee Rosevere off the album Play 3 on the WM Recordings netlabel, thanks to Creative Commons license. More information at:
archive.org/details/WM074_900
www.wmrecordings.com/free-downloads…severe-play-3/

More details on the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/info