This is my 28th submission to the Junto. This is a mix of my work for the Junto and singles and demos I’ve released (and one not) this year. Thank you to everyone in the group for your generosity, friendship and acceptance. And a special Thank You! to Mark Weidenbaum of http://disquiet.com, for dreaming up this amazing opportunity to learn and grow as a musician, songwriter, sound artist and general noisemaker.
These are just stitched together, eq’ed and compressed a bit for volume stability.
Jan: nearly there (alprazolam dream #76c) [disquiet0004-mfischer] http://soundcloud.com/thereflectors/nearly-there-disquiet0004
Feb: Nowhere Man (cover) [Unreleased]
Mar: Manhattan Bridge Train [Disquiet0011-motoring] http://soundcloud.com/thereflectors/manhattan-bridge-train
Apr: Jack Kirby’s 99th Dream [disquiet0014-oumupo] http://soundcloud.com/thereflectors/jack-kirbys-99th-dream
May: sliver of sky [disquiet0019-rojiura] http://soundcloud.com/thereflectors/sliver-of-sky-disquiet0019
Jun: the rime of the ancient pacific garbage patch [disquiet0026-composting] http://soundcloud.com/thereflectors/ancient-pacific
Jul: The 12th Step [2012a] http://soundcloud.com/thereflectors/the-12th-step
Aug: friction and the flame [disquiet0031-onomatch] http://soundcloud.com/thereflectors/friction-and-the-flame
Sep: The Know It Alls At Bloomingdale’s [disquiet0037-asrealasitgets1] http://soundcloud.com/thereflectors/the-know-it-alls
Oct: AustinTown (inst.) [disquiet0042-naivemelody] http://soundcloud.com/thereflectors/austintown-inst
Nov: crystalline sky grace [disquiet0044-sandy2012] http://soundcloud.com/thereflectors/crystalline-sky-grace
Dec: Crystal Never Hurts [rough mix 2012b] http://soundcloud.com/thereflectors/crystal-never-hurts
This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2012. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.
These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should preferably of your own making, and not drawn from third-party sources.
More on this 51st Disquiet Junto project at:
More details on the Disquiet Junto at:
Posted in disquiet junto, sounds, tracks
Tagged austintown, crystal never hurts, crystalline sky grace, disquiet junto, disquiet0051-audiojournal, friction and the flame, jack kirby's 99th dream, manhattan bridge train, marc weidenbaum, nearly there, remix, retrospective reflector, sliver of sky, sound journal, the 12th step, the know it alls, the rime of the ancient pacific garbage patch
Watched a few matches burn. Became fascinated with the moment of ignition and the friction behind the flame, so this piece hones in on that moment and those forces.
Attached contact mics to inside of a kitchen match box, directly under the striking surface. Scratching the striking surface with a match head (without igniting) produced the main beats.
Recorded several strikes and ignitions of an 11″ fireplace/grill match with a studio mic. A suitable strike was stretched to about 2:22 and runs under the piece uninterrupted. The opening bang is the match head hitting the box and the big bang at ~1:30 is the match igniting. The stretched scraping is evident in the middle section when the guitars drop out.
Had some Creative Commons licensed samples of Yoko Ono from a couple years ago, when she invited people to remix her track “The Sun Is Down.” I never made a remix, but always loved the samples and this project provided a perfect outlet. Her voice and the Tenori-on came from that set.
The fireplace matches gave off a fun pitter-patter sound as they burned down. This noise comes in and out and closes the track unadulterated.
Rhythm and lead guitar tracks round out the affair.
Diamond “greenlight” kitchen matches (300 ct box), Penley 11″ long-burning grill & fireplace matches (40 ct box), Yoko Ono “The Sun Is Down” samples, Gibson ES-335 (“Jolie”), Vox AC-15, Paulstretch (Windows), Sony Acid, K&K contact mics, Senheiser MD 421-II mic, Line-6 Pod-XT, Motu 828 MK-II, Sony MDR-7506 headphones
A photograph I shot on the set of HBO’s “Oz,” for which I was the Assistant Location Manager for the first season. The scene was a flashback of an arsonist burning down a firehouse. The location was a decommissioned fire station on Delancey Street right near the Williamsburg Bridge on the Lower East Side of Manhattan.
This week’s project takes the opportunity to focus on the art movement known as Fluxus. We’ll use as the starting point a 1955 composition by Yoko Ono. Her work is titled “Lighting Piece” and it consists of a single, simple sentence: “Light a match and watch till it goes out.” It is one of a number of pieces that Ono produced as part of Fluxus. For this week’s Disquiet Junto project, please interpret her instruction as closely or as loosely as you choose.
More on the 31st Disquiet Junto project at:
More details on the Disquiet Junto at: