Tag: field recording

[track] Canyon Bees, Birds, and a Chicken (20180509.1)

“A bee, a bird, and a chicken are hanging out in the Hollywood hills…” sounds like the start of a joke, but it’s just a field recording. The bees are pollinating a perpetual-blooming Echium Candicans (“pride of Madeira”) flowering shrub in our Laurel Canyon Garden, while a mockingbird, a scrub jay, a few other birds, and a chicken across the street join in the chorus.…

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[track] ’57 Echoes [Disquiet0258-RoomsWithinRooms]

Spending this week in Venice, FL, at The Herron House. Built by architect Victor A. Lundy (FAIA) in 1957 for the Herron family, the house was restored to its original grandeur by its current owners, Ursula Kohl and Peter Bartos, in 2008. It’s a masterstroke of mid-century American imagination, and a timeless time capsule that will always feel like the future.…

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Kyle TM – Wvrdr (remix of a remix of “riding waves”)

Enigmatic and multi-faceted South Carolina artist Kyle TM layered soft breaking white noise swells, seagull calls and a rhythmic water drop over a remix of my “riding waves” by Tokyo-sound artist Naotko (Naoyuki Sasanami) for the 132nd Disquiet Junto challenge. Inasmuch as dreams are recursions of reality, the result here is a dream-state that expands on a story, grounding it in a new place and making a statement on the conscious filtering that makes up perception.…

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[a few words on] Bassling’s Visceral Frequencies



Australian multi-instrumentalist Bassling (née,Jason Richardson) describes himself as “exploring the nether regions of the frequency spectrum and delighting in their visceral response.” Well, his nether regions are our visceral pleasure, too. Through the years, he’s cast a wide and adroit musical net, moving with ease from slash-and-burn low-frequency smolder, to anti-slash-and-burn environmental activist field recordings, to flash-and-turn dance mixes.…

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[a few words on] @mark_ward_: one moon appears everywhere

“Fine Art trained” guitarist Mark Ward lives in Sheffield, UK, and his ambient electronica connects listeners to the serenity that inhabits every pastoral dream of the English countryside. He layers guitar with keyboards, field recordings and percussive loops, then filters with a gentle hand through software.…

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The Know It Alls At Bloomingdale’s [almost disquiet0037-asrealasitgets1]

Was Upper East Side (like in a Warren Zevon song) in Manhattan on Sunday 16 September 2012 and captured a couple recordings at Bloomingdale’s. I flipped a coin to decide which to submit to the Junto and this one lost, but it was worth sharing.

This recording was made on the 8th (top) floor in the children’s section.…

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Bloomingdale’s Ascension [disquiet0037-asrealasitgets1]

Was Upper East Side (like in a Warren Zevon song) in Manhattan on Sunday 16 September 2012 and captured a couple recordings at Bloomingdale’s. I flipped a coin to decide which to submit to the Junto and this one won. This recording captures a journey from the 59th Street N/R/4/5/6 subway station under the store to the street.…

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dronewater falls [disquiet0029-countzero]

Project:

This week’s project is inspired by an aside that occurs at the opening of chapter 17 of William Gibson’s classic cyberpunk novel Count Zero, originally published in 1986.

Process:

I returned to the Prospect Park, Brooklyn, waterfall (pictured, with Sterling) that I used for the prior junto challenge of remixing Lee Rosevere (Thereflectors – Waterfall-love) and made a new recording with the garageband app on my iPhone.…

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no brooklyn bound [disquiet0018-3×3]

sound 1: field recording – downtown new york city subway 6 train weekend service disruption announcement and surrounding ambience. recorded with iphone garageband.
sound 2: constructed beat – iphone garageband drum samples
sound 3: synth – programmed iphone animoog

minute 1: the drum is primary, backed by stabs and swoops of the synth and cut up portions of the subway announcement.…

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waterfall love [disquiet0017-transition]

My contribution to the 17th week of the disquiet.com junto. The challenge was to take 30 seconds of a field recording, and slowly and seamlessly transition it into 1 of 2 given pre-existing tracks. Sounds could be added and the source tracks manipulated in any way. The first five seconds of the field recording and the last 5 seconds of the pre-existing track, however, were to be left untouched, aside from fading in and out.…

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