Tag Archives: disquiet0189-tonelayer


[remix.reflector] Steve Burnett: Swellsandswells [disquiet0190-missedconnections]

Fantastic remix by multi-instrumentalist and sound artist Steve Burnett (Raleigh, US) of Zedkah‘s “Swells [disquiet 0189: tone layer]” with my C Swells [disquiet0189-tonelayer]. In Burnett’s hands, the combined tracks become synesthetic as his cosmologic expansion/contraction process fires all the senses at once. The forces at work here are extreme – too large and yet, also too small to comprehend, yet they resolve (evolve?) as human. Tres cool.

Burnett’s Liner Notes From Soundcloud:

I used Westy Reflector’s “c swells [disquiet0189-tonelayer]” and Zedkah’s “Swells [disquiet 0189:tone layer]” as they sounded best of the 0189 tone layer tracks when combined and compressed as I planned. Imported both into Audacity, copied both one-minute files out until I had a track exceeding 36 hours in length. I then used Audacity to change the tempo by one hundred thousand percent, as shown in the screenshot – creating a track just over two minutes long compressed from over 36 hours.
(Both of the original source material sound great when played at normal speeds, and I commend them both to listeners’ attention.)

Find more of Burnett at:
subscapeannex.com
twitter/steveburnett

Source Tracks:




[remix.reflector] Conjecture Of A TIme: Whooshed Connections [disquiet0190-missedconnections]

Conjecture Of A Time is a wonderful, mysterious sound artist who has contributed to the Disquiet Junto since back in year two. This week, [he? she? them?] remixed small loops of my C-swells [disquiet0189-tonelayer] along with Olaf Wisselink’s Cascade [disquiet0189-tonelayer], adding in “whoosh” sounds to mask the loop endings. The result is a joyful noise. File under: Summer road trip asteroid rest stop on the Andromeda-M83 Intergalactic Highway, drinking a Terra Novacaine Fizz, leaving Earth in the rear-view for a while…

COAT’s soundcloud liner notes:

I started from the excellent tracks of #olafwie (Olafwie – Cascade-disquiet0189-tonelayer) and #thereflectors (Thereflectors – C-swells) and extracted a 6 bars loop and a 10 bars loop.

I used gradually louder Whoosh sounds to distract the listener attention from the ending of each loop, and then just had to end with a final Whoosh at bar 60 where the loops stop to remain around 2 minutes.

More on this 190th Disquiet Junto project:
“Set two out-of-sync loops atop each other, and then add sonic glue”

More on the Disquiet Junto.
Join the Disquiet Junto.
Disquiet Junto general discussion.

Find more Conjecture Of A Time at:
soundcloud

Source Tracks:


[remix.reflector] Sevenism∞: C Swellowed

Sevenism∞ (nee Jamie Lickfold) hails from Nottingham, UK and describes his sound work as “12-string bluesy acoustic ambient psych-folk noise drone pop // random electronic ambient slowdowns.” He’s made good on that promise once again in a remix of my “C Swells [disquiet0189-tonelayer]” for his contribution to this weeks Junto challenge, a call to remix any two of last week’s submissions and layer a third track to “glue” them together.

In his hands, my track helixes with Ben DeMole’s “Swallowed [disquiet0189-tonelayer],” resulting in an exponential lushness. De Mole used his voice to create harmonic terrain and it mixes with my guitar in an angelic upward spiral. The mixed track was then used as the bed for Sevenism∞’s addition, a raw recording through an mp3 player’s mic of his playing an electric piano. As a fan of all things meta, I approve.

Sevenism∞’s liner notes to the track:

In a nice synchronicity i’d already halfway completed the project before it was announced: i’d done an extended version of TheReflectors – C-swells where i’d looped the track a few times (and added a bit of echo n blur in the middle) so that i could listen to it a bit longer

had it playing while i went through last week’s tracks and it mixed well with Benn-Demole – Swallowed-disquiet0189-tonelayer i liked the added bass and incidental sounds, so took a loop at the end of that and had that faded in and out throughout

for the glue i had the mix playing in the next room while i played along on my old technics electric piano and recorded through the mic on my mp3 player.. the idea was that some syncopation would blur the phasing a bit. unfortunately the recorder picked up the sound of me hitting the keys really loudly, and i didnt feel like redoing it so just had it lower in the mix but the clatter kind of helps a bit

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Find more Sevenism∞ at:
soundcloud
twitter
bandcamp
mixcloud


[remix.reflector] terella by S/H/A/R/R/P/S

Brilliant remix by the ever-engaging and prolific sound artist S/H/A/R/R/P/S (Jessy Kendall, founder of the letterfounder craft studio in Lewiston, ME) of my and Utrecht artist Olaf Wisselink’s respective Junto 0189 contributions. S/H/A/R/R/P/S layers dialogue snippets from 80s episodes of the soap opera Santa Barbara over a combination of both tracks for a whacked out trip suffused with mystery and suspense. Soap operas, in a way, are forms of loops. Joe Perkins is always at the door.

Produced for Disquiet Junto 0190-MissedConnections. S/H/A/R/R/P/S’s soundcloud liner notes:

more: @olafwie
n
more: @thereflectors

been wanting to use long samples from from old soap operas for a while- the santa barbara soap, from 1984. harr!

i went through all the junto trax, picked my faves, 5 in total, dropped em into audacity and juggled them together. i made two trax and my fave is this (the other posted to my page), as i thought it would ‘shake things up’ more, on the junto site.

My source track:

Olaf Wisselink’s source track:

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Find more of S/H/A/R/R/P/S at:
soundcloud
bandcamp
flavors.me


[track] c swells [disquiet0189-tonelayer]

PROCESS

Single notes in the key of C, staggered and stacked to move through different chords. “Attack” was eliminated using a combination of my trusted E-bow fed through an EHX POG2 with its attack setting jacked all the way up for max swell. Tape Delay, Phaser, Reverb added for space travel (or ocean travel as the case may be here).

RIG

Fabien (Peekamoose Custom Guitars M2), EHX POG2, Small Sound / Big Sound Sparkle Motion, tc electronic flashback delay, EQD Grand Orbiter, EQD Afterneath, Strymon blueSky, Line6 POD-XT (Vox AC-30 emulation), RECORDING DAW: Sony Acid 7.0 (Win 8.1), MASTERING DAW: Harrison Mixbus 2.5 (Mac OS 10.7.5)

PROJECT

Create a dense stack of attack-free tonal material from one audio source.

Step 1: Choose an instrument that can create extended tones.

Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.

Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.

Step 4: Record a document of these layered loops lasting approximately 1 minute.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

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More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:
disquiet.com/2015/08/13/disquiet0189-tonelayer/

More on the Disquiet Junto at:
disquiet.com/junto/

Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
disquiet.com/forums/