../melody in chaos
remix of the soundcloud podcast w/ seams and marc weidenbaum:
Community-team – Soundcloud-speaks-001-disquiet
backing track is from the portion of the show that included emma hendrix’s disquiet 0004 project:
Emmahendrix – Nearly-there-disquiet0004
i started by sampling every instance in the show of marc saying a number and everything flowed out from that.…
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Dowsabel (chris wells, Columbus, US) loves obsolete words, and he took his musical name from the Latin for sweet and beautiful. His music lives up to the promise in his name, and his remix of my remix of a collision of bird sounds and acoustic guitars provides exponential entertainment and purpose to my track (which is below his track notes).…
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a thrush and an acoustic guitar. like a supercalafragalistic cartoon on your shoulder.
The source material for the 9th disquiet.com Junto project from March 2012 was provided from these two samples:
guitar:
“Chord progression on mic’d acoustic guitar. A Major, c# minor, b minor, E Major.”
avian:
“Song thrush on a spring evening, 17th of march 2007 in a forest north of Cologne, Germany.”…
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file under: “adventures in attenuation” and “modulated frequencies of amplitude.”
the original track was fed through an amplitude modulator on an automated send and all but the modulated signal was dropped out, leaving behind the propelled static of the descending amplitude fade.
The amplitude frequencies were modulated from 5000Hz to 0Hz in a smooth hi-lo fade across the length of the track.…
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my 2nd contribution to the disquiet junto. this one involved turn-of-the-20th-century edison cylinders, which i fed through resonance, delay and finished with a light flange. the drone reminds me of guitar picks gliding down piano strings, which is soothing to me (since home is a metallic-droning megatown).
a remix of marcus fischer’s “nearly there” stems, provided to the disquiet junto. my first contribution to this wonderful spark of collaborative creativity offered by marc weidenbaum, whom i’ve followed for years at disquiet.com. the track is a not-so-random but not-everyday dive into the ambient for me. looking forward to the junto taking me further out to space.