Tag Archives: crystalline sky grace


Retrospective Reflector [Disquiet0051-audiojournal]

PROCESS:

This is my 28th submission to the Junto. This is a mix of my work for the Junto and singles and demos I’ve released (and one not) this year. Thank you to everyone in the group for your generosity, friendship and acceptance. And a special Thank You! to Mark Weidenbaum of http://disquiet.com, for dreaming up this amazing opportunity to learn and grow as a musician, songwriter, sound artist and general noisemaker.

These are just stitched together, eq’ed and compressed a bit for volume stability.

Jan: nearly there (alprazolam dream #76c) [disquiet0004-mfischer] http://soundcloud.com/thereflectors/nearly-there-disquiet0004
Feb: Nowhere Man (cover) [Unreleased]
Mar: Manhattan Bridge Train [Disquiet0011-motoring] http://soundcloud.com/thereflectors/manhattan-bridge-train
Apr: Jack Kirby’s 99th Dream [disquiet0014-oumupo] http://soundcloud.com/thereflectors/jack-kirbys-99th-dream
May: sliver of sky [disquiet0019-rojiura] http://soundcloud.com/thereflectors/sliver-of-sky-disquiet0019
Jun: the rime of the ancient pacific garbage patch [disquiet0026-composting] http://soundcloud.com/thereflectors/ancient-pacific
Jul: The 12th Step [2012a] http://soundcloud.com/thereflectors/the-12th-step
Aug: friction and the flame [disquiet0031-onomatch] http://soundcloud.com/thereflectors/friction-and-the-flame
Sep: The Know It Alls At Bloomingdale’s [disquiet0037-asrealasitgets1] http://soundcloud.com/thereflectors/the-know-it-alls
Oct: AustinTown (inst.) [disquiet0042-naivemelody] http://soundcloud.com/thereflectors/austintown-inst
Nov: crystalline sky grace [disquiet0044-sandy2012] http://soundcloud.com/thereflectors/crystalline-sky-grace
Dec: Crystal Never Hurts [rough mix 2012b] http://soundcloud.com/thereflectors/crystal-never-hurts

PROJECT:

This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2012. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should preferably of your own making, and not drawn from third-party sources.

More on this 51st Disquiet Junto project at:
http://disquiet.com/2012/12/20/disquiet0051-audiojournal/

More details on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/info/


crystalline sky grace [disquiet0044-sandy2012]

Still a bit shellshocked here in Brooklyn, NYC. While wrestling with a few other concepts in the last couple days, Amazing Grace kept floating in the air. I believe in forces greater than myself, but I am not religious so much as spiritual. That is, I don’t believe these forces around us act with intention. Sandy didn’t “do” anything to us. She becomes, however, like every disaster, man-made or otherwise, an unwitting catalyst of grace, a measure of everything we “do” for ourselves and each other. The sky was so blue today. Crystalline.

Guitar: Jolie (cherry-red Gibson ES-335)
Amp Modeling: Line-6 POD-XT (setting: “Insane,” described as a “Dual Rectifier on 10 being used as a preamp for a Soldano.”)
Pedal: Ibanez Screamer
Software: Sony Acid 7.0, Paulstretch for Windows, Audacity for Mac

All sounds other than the guitar were derived from the shared recordings by Michael Raphael detailed below (fuzz distortion and Paulstretch harmonics were the key ingredients).

PROJECT:
Create an original track that makes a transition from stormy to placid over the course of its duration. Your track should open fiercely and then slowly give way to calm. You can use additional instruments of your choosing, but the original field recordings should serve as source material both for the stormy and for the placid portions of your track. In other words: the calm part of the track should be built in large part from audio of the storm.

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The source audio from the 2012 storm Sandy was documented by Michael Raphael, an SFX recordist who maintains the field recording blog Fieldsepulchra at sepulchra.com/blog. His sound effects can be found at Rabbit Ears Audio:
rabbitearsaudio.com.

More on this 44th Disquiet Junto project at:
disquiet.com/2012/11/01/disquiet0044-sandy2012/

More details on the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/info