Tag: creative commons

she still echoes: short film end credits

Conversaciones (Conversations) from Jaume R. Lloret on Vimeo.

A snippet of my track she still echoes (like a summer) runs over the closing credits of a meditative short film called “Conversations,” directed by Jaume R. Lloret, which competed in Spain’s Jameson Notodo Film Festival. Also was selected for the Radio City Festival in the section “Valenciana Shorts” and a finalist in the Mostra de Cinema Jove of Elche.…

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[a few words on] the disquiet.com junto

I started creating tracks for the Disquiet.com Junto in January 2012 upon the group’s founding by Marc Weidenbaum, a San Francisco music, technology and culture writer. A former editor of Tower RecordsPulse! magazine, he has written for Nature, Boing Boing, and The Atlantic online, and he also lectures on the role of sound in the media landscape.…

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windfall on the liz berg show (wfmu)

WFMU’s Liz Berg from 6/27/2014

Few things are more awesome (or cool or hot or sick or tight or quiche or jelly or whatever euphemism you use to say “yes!”) than getting played on WFMU. In this case, my track Windfall (also at the Free Music Archive) spun midway through the June 27th episode of the Liz Berg show, which airs every Monday morning from 9 to noon (podcast stream/download/subscription available at link).…

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man again: carrot cake (w/ chocolate)

Torrada Torrada (“Toast! Toast!”) is a Brazilian cooking show hosted by Luanda Gazoni. Two weeks ago, they used my track ok off of Hola, Sayulita! and Reflected.10×10 as a soundtrack to making perfect fluffy rice (vid embedded below, too). This time, Man Again, the Free Music Archive bonus track off Transient Lines, serves as a soundtrack to the creation of a carrot cake with chocolate ganache icing (recipe in Portuguese).…

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Bassling + Lee Rosevere + Nofi: Riding High Waves (remix of “riding waves”)

A 2nd remix by Bassling (Jason Richardson) of my riding waves. In it, Bassling adds his deft bass to Lee Rosevere‘s percussion and vibraphone, my guitar and nofi‘s original track. This rounded-out full-on quartet performance creates unexpected harmonic convergences and becomes a whole (and real) band – thankfully without van politics, ego mastications and “yellow-M&Ms-only” rider demands.…

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Kyle TM – Wvrdr (remix of a remix of “riding waves”)

Enigmatic and multi-faceted South Carolina artist Kyle TM layered soft breaking white noise swells, seagull calls and a rhythmic water drop over a remix of my “riding waves” by Tokyo-sound artist Naotko (Naoyuki Sasanami) for the 132nd Disquiet Junto challenge. Inasmuch as dreams are recursions of reality, the result here is a dream-state that expands on a story, grounding it in a new place and making a statement on the conscious filtering that makes up perception.…

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Lee Rosevere: Riding High Waves (remix of “riding waves”)

Canadian musician, producer and label founder Lee Rosevere used my riding waves for the 132nd disquiet junto challenge, adding hi-hats, cymbals and triggered rhythmic vibraphone flourishes. His additions lend an elegance to the track, highlighting and engaging all sorts of spaces without causing any clutter. From the soundcloud track description:

I didn’t want to get in the way of Westy’s guitar and took a cue from his introduction of the melody of “Mercy Street” to play mostly hi-hat and cymbals, ala Stewart Copeland (who appears playing cymbals on Peter Gabriel’s SO album..



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Bassling: Unmistakable Release (remix of riding waves)

Australian multi-instrumentalist Bassling layered a haunting bass line and Rust Cohle’s (Matthew McConaughey) equally chilling rumination on death from True Detective over my track riding waves [disquiet0066-nonofi].

I added a favourite monologue from True Detective where Rusty Cohle ruminates on death. My partner immediately called out that it worked, so I left it in.



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long colombian road ahead

Ricardo Llano Gonzalez takes a 133-kilometer motorcycle ride set to Long Road Ahead. Bogotá -La Calera -Guasca -Sopó -Bogotá. Sweet.

Published on Jun 22, 2014
Otra vez cogimos nuestras Royal Enfields 350cc con @JayBarbaNegra a ver qué nos trae la carretera.

Nuestras motos nos llevaron por la siguiente ruta: Bogotá – La Calera – Chingaza – Guasca – Sopó – Bogotá.



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mule radio 83

My track “fire in the arcade (the reflectors)” follows a Superchunk song called Digging For Something in this 83rd episode of Mule Radio’s The Mixtape. Made my day.

Download all of the tracks at once: freemusicarchive.org/member/timothy…ape_episode_83

Voices – Simon Mathewson
La Façon dont la Machine vers l’Arrière – Brian Jonestown Massacre
Tsuro Magena – Thomas Mapfumo and The Blacks Unlimited
Pleasantries – Tyler Jon Tyler
Love Me Like You – The Mythics
Sunday – Fire To The Stars
Preludium – 2 TOTEMS
Arnold Lane – Joe Boyd and Robyn Hitchcock
I Can’t Lose – The Chamber Strings
While You’re Sleeping, I’m Dreaming – Tamaryn
Jeanne Moreau – Souvenir Driver
I Feel Your Pain – Eric and Magill
Island on Fire – Monster Rally
The Creak of the Landline – Zapruder Point
Promises Promises – Barreracudas
Digging For Something – Superchunk
fire in the arcade – Westy Reflector
Good To Be Alone – The Bomb Busters
Caixa de Vidro – Stray
Bruce – Yellow Dogs
Mockinpott – Cordonegro
April 13th – Bait And Switch
Fifty/Fifty – Today’s Man
Noise Problems Selection – The Ray Pacino Ensemble
Highty Hangtime – Julian Winter

Transient [Drawing] Lines

Transient Lines (bandcamp | freemusicarchive) – the entire record – soundtracks artist Eric M Smith‘s drawing and painting of a griffin in real time. Bonus sound artifact: the environmental sounds of Smith’s pen and ink-on-paper strokes are left underneath the music, which I always <3. Bonus trivia: The Higgins Ink original factory and the mansion behind it in which the Higgins family lived are 50 yards down the block and across the street from my home in Brooklyn. The factory was converted into apartments in the 70s and the mansion now houses a music school. Full circles, everywhere.

Published on Feb 17, 2014
Drawing and painting a griffin.


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intransitive disapperance [disquiet0108-freebassel]

PROCESS
Connected to this assignment, and wanted to do some small part to keep Bassel’s cause and case out front. I’m not a foley artist and field recording is not my game, though, so consider this less a soundscape than a track that might run over closing credits.

Married some royalty-free congas, tambourines and trap kit loops on an Acid timeline.…

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symbols (all the way) [disquiet0102-sonictinsel]

PROCESS

A random collision of 8-bar loops created in Propellerhead’s Figure app for iPad, royalty-free vocal and wind-chime samples by Mick Fleetwood and three takes of improvised guitar deconstructions of the Jingle Bells’ phrase “jingle all the way” played live over all of it. Assembled in Acid Pro.

This track is a one-minute, 24 bar section of what has become the intro and outro to my cover of Elvis’s “Blue Christmas.”…

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H2(arpeggi)O [disquiet0100-vaporwave]

PROCESS
Recorded Bodum electric kettle at point of boil into Samplr iPad app (2sec and 15sec samples). Raw recordings are stitched & looped and peek through at beginning and end of track.
Processed raw sounds with Samplr, then fed to various effects pedals and stretched a few grains in Paulstretch.
Noise thresholds triggered arpeggios, bass notes and drone swells via effect send/receive on synth pedal.…

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