Tag Archives: austintown


[dispatch] truth 11222016.1235

November 22, 2016 at 12:35PM
via IFTTT


Retrospective Reflector [Disquiet0051-audiojournal]

PROCESS:

This is my 28th submission to the Junto. This is a mix of my work for the Junto and singles and demos I’ve released (and one not) this year. Thank you to everyone in the group for your generosity, friendship and acceptance. And a special Thank You! to Mark Weidenbaum of http://disquiet.com, for dreaming up this amazing opportunity to learn and grow as a musician, songwriter, sound artist and general noisemaker.

These are just stitched together, eq’ed and compressed a bit for volume stability.

Jan: nearly there (alprazolam dream #76c) [disquiet0004-mfischer] http://soundcloud.com/thereflectors/nearly-there-disquiet0004
Feb: Nowhere Man (cover) [Unreleased]
Mar: Manhattan Bridge Train [Disquiet0011-motoring] http://soundcloud.com/thereflectors/manhattan-bridge-train
Apr: Jack Kirby’s 99th Dream [disquiet0014-oumupo] http://soundcloud.com/thereflectors/jack-kirbys-99th-dream
May: sliver of sky [disquiet0019-rojiura] http://soundcloud.com/thereflectors/sliver-of-sky-disquiet0019
Jun: the rime of the ancient pacific garbage patch [disquiet0026-composting] http://soundcloud.com/thereflectors/ancient-pacific
Jul: The 12th Step [2012a] http://soundcloud.com/thereflectors/the-12th-step
Aug: friction and the flame [disquiet0031-onomatch] http://soundcloud.com/thereflectors/friction-and-the-flame
Sep: The Know It Alls At Bloomingdale’s [disquiet0037-asrealasitgets1] http://soundcloud.com/thereflectors/the-know-it-alls
Oct: AustinTown (inst.) [disquiet0042-naivemelody] http://soundcloud.com/thereflectors/austintown-inst
Nov: crystalline sky grace [disquiet0044-sandy2012] http://soundcloud.com/thereflectors/crystalline-sky-grace
Dec: Crystal Never Hurts [rough mix 2012b] http://soundcloud.com/thereflectors/crystal-never-hurts

PROJECT:

This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2012. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should preferably of your own making, and not drawn from third-party sources.

More on this 51st Disquiet Junto project at:
http://disquiet.com/2012/12/20/disquiet0051-audiojournal/

More details on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/info/


AustinTown (inst.) [disquiet0042-naivemelody]

PROCESS:
The instrument I have played for the longest time is a 1965 Framus 5/59-525 Sorella thinline. My dad bought it for $12 at a garage sale in 1982 and told me, “Make this sound like you mean it and we’ll see about getting you a nicer guitar.” Despite her given name, I call her Stella (though she’s not to be confused with Framus’s same-era Stella archtop line). Through the years, she fell into a state of unplayability, so in 2003 I brought her to Paul Schwartz of Peekamoose Guitars (www.peekamoose.com), who plugged it in, laughed his ass off and said, “Why not? Let’s make her sing again.” Paul took a couple months and reworked her into a ridiculous time warp. The wiring needed some updating, but the pickups, fretting, sunburst finish, inlays, etc are all still original. The bridge, also original, is not fixed to the body, so if she’s strummed too hard, the intonation goes all over the place, but that’s part of the charm. Tonight, I plugged Stella into a Line-6 Pod-XT emulator of a ’64 blackface Fender Deluxe Reverb and put a slight plate echo on the affair for the tone here.

The instrument I have played for the least amount of time is my iPhone AniMoog app. I always wanted a Moog and for $9.99, I’m carrying one around in my pocket since about May. I’ve used it in some other Junto projects and also in a track I recorded this past summer called “The 12th Step.” Still just scratching the surface of it, though, and really just jabbing at it, hoping my fingers don’t hit too many keys. The iPhone is okay for typing language, but it’s a terrible musical keyboard. On the other hand, there’s something about being restricted to 2 octaves and 1 hand that heightens the naivete, so it seems to fit the assignment.

The track itself is a loose strum of my song “AustinTown” (thereflectors.bandcamp.com/track/austintown) which appeared on my 2010 record “Hola, Sayulita” (thereflectors.bandcamp.com/album/hola-sayulita). I traveled through Austintown, Ohio, during the 2004 election cycle and I wrote the lyrics and music in a Best Western off Route 80, with a view across the highway of the town’s Quaker Steak ‘n Lube. It’s a song about the elusiveness of truth, the nature of political language and the complexity of growing up. Though it’s pretty nihilistic, it helps me find my innocence whenever I play it. Sorry it’s 8 secs too long.

PROJECT:
Employ just two instruments in the production of this week’s track: (1) the instrument you have used for the longest period of time and (2) the instrument in your possession that is newest to you. You’ll record a backing track with the oldest instrument, and overlay on it a simple melody of your choosing performed on the newest instrument.

Definition: The term “instrument” can be interpreted as broadly as you’d like; ultimately this is a project about the restraints inherent in the gadgets, tools, and software that you have obtained or created.

Background: The inspiration for this project is the song “This Must Be the Place (Naive Melody)” by the band Talking Heads off the album Speaking in Tongues. For that song, the band members traded instruments, each playing something they were significantly less familiar with than the instrument they normally performed on.

Restrictions: Any source material, any instrumentation, except the human voice.

————————————————————–
More on this 42nd Disquiet Junto project at:
disquiet.com/2012/10/18/disquiet0042-naivemelody/ ;

More details on the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/info


Hola, Sayulita!

Infinite Destination
Today I Am Not Turning On The Radio
Zipline
Postcard Sorceress
Drink In The Sky
Only Falling Rain
ok
AustinTown
Sayulita
b. Bruja Tarjeta Postales
Bandcamp | CDBaby | Spotify | iTunes

AustinTown

Austintown, OH, is the driving midpoint between New York City and Chicago.
Written election eve 2004.

When they dig us up – they might never know
We dug deep – and left evidence as far down as they will go
They might even think we were older than dinosaurs

Arrogance thinks we’ll see the end of the world
That we’d be last ones – to ever see
the truth/the truth
it’s just funny how much truth
you find

½ way between here & there
so many secrets you can’t begin to dare
to leave
escaping only in dreams
looks like it comes down
tonight to AustinTown

They’re gonna say we went backwards – all the way back
Before we went forwards again
Here it comes around again
And there goes the

the truth/the truth
it’s just funny how much truth
you find

½ way between here & there
so many secrets you can’t begin to dare
to leave
Escaping only in dreams
looks like it comes down
tonight to AustinTown



11.03.2004, 11:42pm
11.18.2004, 10:24am
12.23–25.2004
07.07.2005 8:55pm
05.01.2008 9:54pm
01.15.2009 9:12pm