Fantastic remix by multi-instrumentalist and sound artist Steve Burnett (Raleigh, US) of Zedkah‘s “Swells [disquiet 0189: tone layer]” with my C Swells [disquiet0189-tonelayer]. In Burnett’s hands, the combined tracks become synesthetic as his cosmologic expansion/contraction process fires all the senses at once. The forces at work here are extreme – too large and yet, also too small to comprehend, yet they resolve (evolve?) as human. Tres cool.
Burnett’s Liner Notes From Soundcloud:
I used Westy Reflector’s “c swells [disquiet0189-tonelayer]” and Zedkah’s “Swells [disquiet 0189:tone layer]” as they sounded best of the 0189 tone layer tracks when combined and compressed as I planned. Imported both into Audacity, copied both one-minute files out until I had a track exceeding 36 hours in length. I then used Audacity to change the tempo by one hundred thousand percent, as shown in the screenshot – creating a track just over two minutes long compressed from over 36 hours.
(Both of the original source material sound great when played at normal speeds, and I commend them both to listeners’ attention.)
Find more of Burnett at:
Posted in aired|reviewed|remixed
Tagged ambient, audacity, c swells, creative commons, disquiet junto, disquiet0189-tonelayer, disquiet0190-missedconnections, raleigh, remix.reflector, steve burnett, zedkah
I’ve been graced by a Tuonela remix before, and this time around it’s another (inter)stellar reinvention. He’s put me into a Cuisinart alongside a track by the sublime German sound artist Analoc, and the results are a blippy glitchy trippy heaven.
Tuonela’s track notes:
For Disquiet Junto Project 0190: Missed Connections
I hadn’t listened to any of last week’s Junto works, so I chose two tracks quickly without listening to any, based solely on what I already knew of the work of their creators:
WestyReflector – C-swells
Analoc – 0815-disquiet-junto-189-fripps
I looped an excerpt of about 18 seconds from the first (runs from 1:15 to 2:45) and one of about 1.5 seconds from the second (runs from 0:07 to 2:10) Both of these are fairly primitive, with annoying clicks which I tried to disguise. (I was working in a hurry).
I mixed both original complete tracks together and fed the result into ambient v.0.3 This runs from beginning to end.
I also processed the mixed track in an Audacity plugin called Convoluter. This was used twice, once forward and once in reverse. It provides the blips and bloops, beginning at 0:17 and ending at 2:37)
Not sure if both loop layers were supposed to run throughout (they don’t) and I added two layers in step 5 instead of one, so I haven’t obeyed the instructions to the letter – hence the tongue-in-cheek title.