Tag Archives: the rime of the ancient pacific garbage patch

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Disposable flossers underfoot everywhere in every neighborhood say, “Litter free? Please. Tartar-free is where it’s at!” #TartarFreeNYC
December 03, 2018 at 02:04PM
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still echoes

26 january 2013

crystal never hurts
manhattan bridge train
she still echoes
tweed square
flying time
like these chords
sliver of sky
the 12th step
the rime of the ancient…
i must have love

bandcamp | free music archive

Retrospective Reflector [Disquiet0051-audiojournal]


This is my 28th submission to the Junto. This is a mix of my work for the Junto and singles and demos I’ve released (and one not) this year. Thank you to everyone in the group for your generosity, friendship and acceptance. And a special Thank You! to Mark Weidenbaum of http://disquiet.com, for dreaming up this amazing opportunity to learn and grow as a musician, songwriter, sound artist and general noisemaker.

These are just stitched together, eq’ed and compressed a bit for volume stability.

Jan: nearly there (alprazolam dream #76c) [disquiet0004-mfischer] http://soundcloud.com/thereflectors/nearly-there-disquiet0004
Feb: Nowhere Man (cover) [Unreleased]
Mar: Manhattan Bridge Train [Disquiet0011-motoring] http://soundcloud.com/thereflectors/manhattan-bridge-train
Apr: Jack Kirby’s 99th Dream [disquiet0014-oumupo] http://soundcloud.com/thereflectors/jack-kirbys-99th-dream
May: sliver of sky [disquiet0019-rojiura] http://soundcloud.com/thereflectors/sliver-of-sky-disquiet0019
Jun: the rime of the ancient pacific garbage patch [disquiet0026-composting] http://soundcloud.com/thereflectors/ancient-pacific
Jul: The 12th Step [2012a] http://soundcloud.com/thereflectors/the-12th-step
Aug: friction and the flame [disquiet0031-onomatch] http://soundcloud.com/thereflectors/friction-and-the-flame
Sep: The Know It Alls At Bloomingdale’s [disquiet0037-asrealasitgets1] http://soundcloud.com/thereflectors/the-know-it-alls
Oct: AustinTown (inst.) [disquiet0042-naivemelody] http://soundcloud.com/thereflectors/austintown-inst
Nov: crystalline sky grace [disquiet0044-sandy2012] http://soundcloud.com/thereflectors/crystalline-sky-grace
Dec: Crystal Never Hurts [rough mix 2012b] http://soundcloud.com/thereflectors/crystal-never-hurts


This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2012. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should preferably of your own making, and not drawn from third-party sources.

More on this 51st Disquiet Junto project at:

More details on the Disquiet Junto at:

unconsumption review of “the rime of the ancient pacific garbage patch”

Wonderful appearance of the Disquiet0026: Compos(t)ing project on the Unconsumption blog, run by Rob Walker, who also mentions my track as a highlight. So cool…

Walker writes:

As noted here the other day, the most recent installment of music/sound/art site Disquiet.com‘s ongoing series of “assignments” for electronic musician/composers had an Unconsumption-y theme: “Record the music to a PSA using sounds sampled from your garbage bin.” Specifically, participants were instructed to use sounds produced by four objects from the trash as their musical “source material,” uploading their creations to Disquiet Junto group on Soundcloud.

The results are in, and they’re pretty cool! To listen to any or all of the 15 submitted compositions, go here, or use the embedded player [below]. My favorites included one of the more soaring and atmospheric tracks: “The Rime of the Ancient Pacific Garbage Patch,” by Westy Reflector.

I wish I lived in a world where PSAs sounded like this…

the rime of the ancient pacific garbage patch [disquiet0026-compos(t)ing]

The theme of this week’s disquiet junto project was creative reuse — call it recycling, or unconsumption, or upcycling, or compos(t)ing. Four objects from garbage pails at work or home were developed into an original musical track that would be used as background music for a PSA about recycling.

We were allowed to transform the sounds of these elements, but only lightly, so as to respect their inherent sonic properties. In my track, all objects are represented in their native state, either alone or interacting with each other, as loops or one-shots with minimal processing. The soundscape underneath the raw sounds is a layering of each live recording in a processed state. I tried to keep processing to a minimum. Each processed sound was only either time stretched or resonant filtered, with 0 or 1 more effects applied on top (harmonics, pitch shift, or wah-wah). In this way, I think the processed sounds retain their sonic signatures, though some of them got blissfully strange (e.g., the eerie trash-wailing ~2:00 is a time-stretched, pitch-shifted bendy straw being pulled open).

The four objects used:
wine bottle (napa valley, ca, beringer pinot grigio, via ‘prime time wine and liquor,’ brooklyn, ny)
cracked sea shell (rockport, ma)
snipped guitar string ends (ernie ball heavy-bottom/light-top custom set, via peekamoose guitars, 30th st, nyc, ny)
bendy straw (china, via freshdirect dot com)

The live sounds recorded:
wine bottle dropped into bathtub w/ sea shell
wine bottle submerging
blowing into empty wine bottle (long blow, two-puff, one-puff)
spinning-in-air guitar string ends
low-e guitar string scraped across sea shell
pieces of sea shell tapped on each other (a one-shot and an 8 bar live loop)
blowing into straw while opening its bendy accordion joint
clean open of the bendy straw accordion joint

22 tracks (11 live w/ compression and reverb, 11 processed)

rig: sony acid 7.0, paulstretch (windows), condenser mic, motu interface, lexicon reverb

the earth’s just slowing down, and it’s just about to stop. the only question is, “where will it be noon?”


more details on the disquiet junto