Category: sounds

[live] 20201122 – The Return of Stryker West


My heteronym daydream cowboy Stryker West said it was high time for another country-fried set, so who was I to refuse? The covers here focused mostly on Texas, as tribute to a dear friend Taylor Rierden. Stryker neglected to play any Willie Nelson, however, and for that, he will have to atone with another set sometime soon.

SET LIST
00:30 – You & Tequila (K.Chesney)
04:50 – Love In This Land
10:05 – Jupiter + Tennessee
13:50 – I’ve Been All Around This World (J.Garcia)
19:05 – Don’t Touch My Willie (K.Fowler)
23:30 – Just A Little Insane
27:30 – Sunset Boulevard (C.Robison)
33:36 – Elizabeth City
38:34 – Sunday Morning Coming Down (K.Kristofferson)
43:16 – This Canyon Drive
47:50 – Down The Road (S.Earle)
50:40 – That Old Guitar

[vid] There Goes The Sky (escape from nyc version)

A fav song took on new resonance in late May when I escaped NYC for a few days, for the first time since December 2019. Performed in Bridgehampton NY, interspersed w/ footage from the heaviest part of NYC’s (1st?) lockdown from March to May.

Original Version on Sunrise Highway (2015)

Lyrics

I set out walking, just to find a friend,
Make a human connection in a world of pretend,
To share faith in the future, in the face of decay,
‘Cos when you can’t escape the night, every dawn is the end of days.

Walls get high,
Darkness amplifies,
There goes the sky.

You can understand, doesn’t mean you feel.
The hardest things to show are the easiest to conceal.
Actions can destroy more than words can heal.
God save us all when all the truths are revealed.

Walls get high.
Darkness amplifies.
There goes the sky.

[vid] Time Zero (LimeLight.live Sound Check)

06 Sep 2020.

Sound check on Limelight app. Unreleased track “Time Zero” surrounded w/ some loose texture and tone. Sometimes ideas that disappear for a a few years all of a sudden calculate their worth in retrospect. “Write it forward,” is a mode I know well.

LYRICS

Things got strange
Sequences rearranged
Machines crashed
Systems disarrayed

Take us back, take us back
Rewind the line
To when we knew love
for the first time!

Time Zero

Soundscapes
Beauty in the everyday
But light and wisdom
Are not the default state

Easy to lose your way
and lash out in blame
because some people you never shake,
some memories never fade

Take us back, take us back
Rewind the line
To when we knew love
for the first time!

Time Zero

Let the memories fade.

[vid] This Canyon Drive (Limelight.live performance)

Final song in my 30 April performance beta-testing the new Limelight.live music app. Happy always to work out a few kinks, and bring some melody to the current chaos.

well I’m climbing up this Canyon drive
high enough to see across time
to the days where you and I
had nothing to leave behind
up here, on this Canyon drive

a thousand feet up in the sky
on a one-lane two-way graded switchback ride
we opened up and saw ourselves from outside
and knew we wanted no other life
up here, on this Canyon drive

down in the Valley a relentless pursuit of dreams
in every shadow a sorrow and a scheme
a world designed to keep you from coming alive
far away from all the light that shines
up here, on this Canyon drive

what price wouldn’t you pay
to let nothing get in your soul’s way
to quiet dark echoes of unlived lives
at least up here there’s hope you’ll find
peace on this Canyon drive

[vid] riding the F riding waves

Sunset F-Train ride last week, out and back over the Culver Viaduct, the highest point in the NYC Subway system. The soundtrack is my riding waves [disquiet066], recorded in 2012 as a posthumous duet with late-musician Jeffrey Melton, better known as nofi.

🎼: riding waves [disquiet0066] off 2013’s transient lines:

[words] rip, ric

under the cold and darkly sky / you trip the light and go…

[medium mirror]

the cars were my fav growing up. their records and lateral solo projects not only will come with me to any desert island, they are my desert island — if i had to choose an island.

ric ocasek catalysed my adolescent desire and urgency to play the electric guitar and to write songs. all-lowercase, overdriven-jangle, and quirky-jerk, ocasek was also endearing, intelligent, and accessible. the cars became my crash course in how to bring depth to “disposable” music; that is, how melody married to meaning could still court the coolest girl in class.

more importantly over the long-arc of my teenage daydreams, some of which linger to this day, their music spoked out innumerable adventures in sonic discovery. riding with the cars, in the backseat i found (among many more) roxy music, david bowie, and t-rex; in the side-view there was robert fripp, steve reich, and john cage; passenger side would find buddy holly, the byrds, and tom petty; and in the way-way-back, crouched flat out of sight of the driver, there were new order, blondie, suicide, the cure, and eventually the ramones, the replacements, and much of what i’ve loved since.

the early 80s was still a world where intelligence and cool were a tough tightrope walk. ocasek and the cars hovered over it all, saying, “c’mon, man, the fringe is the cool. one foot in, one foot out — that fine line — that’s the place to be.”…

continue...

[aired] Blue Skies over the Other Side of the End

St Clair Beach | Dunedin, New Zealand from Dip Creek Productions. [Vimeo | Twitter | YouTube]

A classic blue sky day here in Dunedin, New Zealand. Filmed on Tuesday the 25th of June 2019 in the middle of what has been a surprisingly lovely winter. We thought we would see if there was any surfers brave enough to catch a wave or two? We found one hearty soul! Conditions looked blustery out there.

Most of the shots in the video are filmed at St Clair Beach and the esplanade. As the sun started to set the views toward the end of the video are from St Kilda beach.

Music from Free Music Archive : Westy Reflector, “the other side of the end”

Callum McDonald, New Zealand videographer based in Dunedin, soundtracks a “classic blue sky day” in his home city with my track the other side of the end off my 2017 record cipher /e dreams [Bandcamp | Spotify].

This vid marks the second time Creative Commons licensing has taken my tracks to Dunedin, NZ. In July 2017, Since I Heard the Sun soundtracked a Thunderbird Trike ride on Dunedin’s Mt. Cargill Road. Xclnt to see a city to which I may never travel IRL from another angle.

———————————————–

SOURCE TRACK

[aired] Kites Riding Waves

[edit: Watch here. Playback disabled on external sites. Maybe that’s one reason the video only has 17 views a/o 23 June 2019… :^D]

medium.com mirror

Lac du Der ‘station nautique’ France.

Natuur en recreatie, genoeg te beleven voor een weekendje weg.
Ondanks het koude weer toch nog een uurtje gevliegerd met de Freilein.

Nature and recreation, enough to experience for a weekend away.
Despite the cold weather, still flying an hour with the Freilein.

Music: Westy Reflector – ‘Riding Waves’

The Internet is at its best when shared passions become community. When the net first started to gain cultural traction, smack was talked, of course, but digital space wasn’t a tool of division, so much as a journey of discovery and connections. It was a weird (in the best way) and wonderful window into what other people were thinking and doing, made even better when the most obscure and arcane pursuit saw a light of day in ways no other communication system in human history allowed. Net 1.0 was a network of tangible dreams built by concrete dreamers. The physicality of the network itself was way more evident, too: the iconic modem handshake sound; the wires into your computer; the relentless arrival AOL discs in your mailbox…

“You’ve got mail,” indeed.

It was work to get online, but a few dreamers did the heavy lifting and posted sites, or created and managed email listservs. All of a sudden, within a few years, anyone who did anything could find a critical mass.…

continue...

[aired] DaCaLuF.0349: Lonesome Faraway Puerto Perme

DaCaLuF – Saison 3 – Ep49 – Puerto Perme from David Bellais on Vimeo.

Première visite dans un village Kuna. (Panama)
Musique : Lonesome Faraway Sounds par Westy Reflector

Xclnt to find in my alerts another new DaCaLuf adventure soundtracked with a song of mine. Since 2014, videographer David Bellais‘s videos have been some of my fav CC uses. Pure joy of exploration and discovery…

source track:
“Lonesome Faraway Sounds” from my 2017 release, “cipher /e dreams.”

liner notes:
Dedicated to the memory of Berta Cáceres and to the ongoing effort to free Bassel Khartabil.
Update 2017.08: RIP, Bassel.

[aired] DaCaLuF 341 – “Love in This Land”

DaCaLuF – Saison 3 – Ep41 – Santa Marta from David Bellais on Vimeo.

Santa Marta (Colombie) avec les copains! (“Santa Marta (Colombia) with friends!”)
Musique : Love in this Land par Westy Reflector

Psyched to see a new DaCaLuf adventure soundtracked with a song of mine. Going back a few years (2014!), these videos have been some of my fav CC uses. Pure joy of exploration and discovery…

source track:

[sounds] Stripped State: Laurel Canyon Recordings

From January to June 2018, my wife Cat costume designed the Amazon series adaptation of the podcast Homecoming that shot in L.A., so we decamped Brooklyn for a 1930s cottage aerie perched halfway up Laurel Canyon. I bought a knock around Seagull guitar at the perfect scaled All-In-One guitar shop in Koreatown, and recorded a couple dozen tracks in our Gould Avenue house. My Gentleman of the Canyon adventure took me to a songwriting time zero, stripped down and raw, to that place where I just sat and thought and wrote and strummed. And listened. And learned.

This Canyon Drive video:
youtu.be/9M2kgtzeT6M

These tracks are destined for evolution. But for now, they float the aether in a simplest, stripped state, kicking up some glorious west coast dust for me. Who knows where we’ll meet again. Hopefully, in The Canyon.

BANDCAMP (SELECTED TRACKS)

SOUNDCLOUD (FULL SET)

[track] The Last Time Up Ahead

this one’s for the ones who stop to think
this one’s for the ones who always knew
this one’s for the ones who see the absurdity

this was a place we lived in peace
a place we lived in silence
a place we lived together in light

the last time
is cloud nine
and you won’t know
you’re dead

but the saddest time
is the first time
you see
the last time
up ahead

how many days can you see through things
how frayed is a soul made of string
how many ways can a memory bring you down

what happened all the power burned out
what happened all that’s certain’s in doubt
what happened all the love turned it back on us

there’s no one around who doesn’t think they know
nowhere you’re left to be, no place left to go

[track] Canyon Songbird Dream #7

i believe in my dream
I believe in my dream
in my song, i believe you’ll see
all the lives we are to lead

searching for answers
is a waste of precious time
destiny doesn’t ring the bell,
doesn’t tell you you’ve arrived

songbird on an electric line
only knows he’s incomplete
caught up in a lookout for love
all his faith on endless repeat

may never know magic
of a returned call
but he never sounds tragic
never sounds small

[track] Paper Streets [20180601.1]

You came a long long way
just to find nothing
on the other end of a promise
from the other side of the sun

the road was mapped but never real
still the dream of a long gone man
now foxtails push up through cracked cement
and long abandoned plans

Paper streets always burn.
Paper streets always burn.
On a bridge to nowhere,
you never know where to turn.
Paper streets always burn.

Doesn’t matter where you’re from
when you see the world from the sky
Broadway to Magazine to Sunset Boulevard
They all draw the same line

You have to put your faith in strangers
or else this is a lonely life
but sometimes people are wicked and cruel
we’re not wired to be nice

I lost a fortune to a dream
but at least it was my dream
some people lose their fortune to a faith
in the world as it seems

[track] Canyon Bees, Birds, and a Chicken (20180509.1)

“A bee, a bird, and a chicken are hanging out in the Hollywood hills…” sounds like the start of a joke, but it’s just a field recording. The bees are pollinating a perpetual-blooming Echium Candicans (“pride of Madeira”) flowering shrub in our Laurel Canyon Garden, while a mockingbird, a scrub jay, a few other birds, and a chicken across the street join in the chorus. Live iPhone recording via a Shure MOTIV MV88.

Echium Candicans
pride of Madeira
subshrub invasive ornament
Spanish nectar
going-steady bees
soda jerk two-straw shake
canyon hillside date
10 minutes drive
from a retrofit-rail-car diner
off Sunset

[aired] Between Stations: Yellow Dog Blues Backstory

Enlightening walk-through by Mississippi writer Suzassippi with some fantastic photos of the actual location where the “Southern cross the dog” in W.C. Handy’s Yellow Dog Blues.

In 2014, the Disquiet Junto participated in an NPR Studio360 project to record modern versions of Handy’s track in honor of its 100th anniversary. My track, Between Stations, “won” the event, and I ended up on air with host Kurt Anderson and musician Marc Anthony Thompson.

The Blues makes us aware of how the universe perceives harmony through our ears. Its “source material” is not so much sadness, but a universal alienation. Everyone fears loneliness from different directions. Handy’s song says to me, “There’s no use for home where you always lose who you are,” which was the launch point for my recording. Suzassippi lends wonderful visual, grounded context to all the tracks she highlights, and quotes me at the end of her article.

via: Suzassippi

Back a number of years ago, I first read about where the Southern Cross the Dog in a Farm Bureau magazine quiz. I had never heard of it, and it was an intriguing story about the town of Moorhead and the junction of the old Southern Railway system and the “Yellow Dog”–commonly thought to mean the Yazoo Delta Railway.

Winner: Westy Reflector cover of Yellow Dog Blues. Of it, the judge Marc Anthony Thompson said “I just wanted something that I really liked to listen to.” Westy Reflector said “no one in the story is in a fixed place” and “blues was never fully about composition as an end, but about a rich community of shared source material.”



continue...
Scroll Up