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Monthly Archives: October 2016
Sitting in an old theater – Ziegfield-esque, worn red velvet seats, dilapidated condition. I’m fifteen rows up, center. Woman behind me leans in and says, “Isn’t this the worst film ever?”
“I haven’t really watched it yet,” I say to her without turning around. I hear her lean back into her seat and turn my attention to the screen.
The film is called “Toaster Test” and stars Kevin Spacey as an everyday shlub named Herb and Hugh Grant as The Devil. While making breakfast one morning, Herb sees The Devil materialize the reflection of his toaster. In the course of their interaction, The Devil shows Herb how he’ll die in a motorcycle accident.
Cut to black.
Fade in on lobby of a fancy hotel with huge circular banquettes arranged around tall, endlessly high columns at regular intervals around the room. The Devil lowers himself slowly from the ceiling haze and settles on a banquette next to Herb.
“Hey, Herb,” he says, low and slow in Herb’s ear.
eliminating human error eliminates more human than error
— ../westy (@westyreflector) October 24, 2016
October 24, 2016 at 02:57PM
Moving use of a few of my ambient tracks by filmmaker Kenny Johnson in Wrestle Donst Wrestle (imdb), a 2015 documentary about independent professional (Absolute Intense Wrestling (AIW)) wrestler Tim Donst‘s battle to return to the ring.
“Upon A Child’s Doll Reflection,” “Truth Is A Lonely Place,” and “Space Walk” (all Disquiet Junto projects, btw) well up at critical times in the film. No spoilers, of course, but the poignancy and melody they lend their respective scenes affirmed all the reasons I started writing ambient wordless work in earnest a few years ago.
Professional wrestling cuts a deep, diverse and cross-generational swath through America (the WWE represents only a glossy major-label equivalency), threading across many eras with stories of soaring courage, unabashed victory, gritted determination and dream-shattering heartbreak. The 2008 film The Wrestler with Mickey Rourke touched on these themes and conveyed a raw just-below-the-surface look at someone akin to Donst. Aside from that film, I knew almost nothing of Donst’s indie wrestling world as I hit the play button here. Now I can’t imagine our world without his.
Life outside the mainstream too often is marginalized to appear frivolous or inconsequential – struggles too “real” for popular consumption, perhaps. I feel a kindred spirit with Donst. In the way he wakes conscious with wrestling moves in his head, I wake thinking only of writing music. DNA isn’t just physical – it’s also spiritual. The moment you tap into what makes you you, life starts.
YouTube liner notes
Published on Aug 16, 2015
In February 2015, Tim Donst told the independent wrestling world that his in ring career was possibly over. He had a tumor in his right kidney. His future was uncertain.
In this documentary, Donst reflects back on his career, his passion for wrestling, thoughts on death, talking with Mick Foley, and the road to recovery.
But was his career really over? Would he ever set foot in a wrestling ever again as an active competitor? Find out as he goes back to AIW (Absolute Intense Wrestling) and is confronted by the King of Ultra Violence Nick Gage.
The Director Kenny Johnson – https://twitter.com/kenjohnson1028
Tim Donst – https://twitter.com/tdonst
Absolute Intense Wrestling – https://twitter.com/aiwrestling
Nick Gage – https://twitter.com/thekingnickgage
Eric Ryan – https://twitter.com/Ericryanpro/media
Greg Excellent – https://twitter.com/GregExcellent
Special thank to CZW, Chikara, and Mick Foley.
endTasks.('Politics' , 'Violence');
— ../westy (@westyreflector) October 21, 2016