Lee’s liner notes:
When this project was launched, I emailed my online buddy Westy Reflector @thereflectors to see if he’d be up for a collaboration and I was thrilled he agreed. I’ve wanted to do a big huge ambient landscape with his glorious guitar tracks and this seemed like a perfect opportunity.
He wrote an original song and sent me the stems (guitar, drone, drums) and you can hear his original version here:
Thereflectors – Truth-is-a-lonely-place
I added lots of reverb (as I love reverb) and piano pads and bass in Ableton Live to his original unedited guitar tracks.
I then mixed a second version, using only an excerpt from his original guitar track and looped it over the newly-created background – this is the version here, which seems to work best when sync’d to the video (vimeo.com/21678371)
It also fits in the sense that Josh Azzarella’s work largely deals with taking an image and “altering or removing the punctual event in the image.” (www.joshazzarella.com/about/)
Huge thanks to Westy for wanting to work on this together, as he could’ve (and did) come up with something excellent completely on his own and didn’t need me at all to drench it in reverb… but it was a great experience and I’m greatly looking forward to the next opportunity.
More on this 138th Disquiet Junto project — “Compose a 2.5-minute soundtrack to complement a work of silent video art″ — at:
More on the Disquiet Junto at:
Join the Disquiet Junto at:
Disquiet Junto general discussion takes place at:
The image associated with this track is a still from the video that inspired it: “Untitled #8, 2004″ by Josh Azzarella.