Monthly Archives: April 2013


riding waves [disquiet0066-nonofi]

PROCESS:
@nofi was one of my first followers on SoundCloud from the Junto (I started with #0004). Over the last year, I admired and absorbed a lot of his work and we shared laughs a few times on Twitter. I feel lucky to have had even the most cursory electronic interaction with him.

All sound waves propagate forever, so when you play or perform the music of someone who’s passed, you help them ride their own waves into the great beyond. I love this week’s project for doing this.

This section of Jeffery’s performance flashed me back to “Mercy Street,” and I had thought to create some kind-of looking-glass instrumental version of that track out of his, but I only got through one line. Still, the title here is a reference to the last line of that song.

As I vamped, Jeffrey’s piece ended up pulling me into some quiet changes and arriving me at an inside-out minor-key’d quotation of “Over The Rainbow” (even swtiching out my plectrum for an eBow between phrases). In the end, for better or worse, in a track where @nofi eventually quotes Michael Jackson, I answered with Peter Gabriel and Harold Arlen. Nothing/Everything/Something made sense.

wave of sadness
wave of sound
wave of joy
wave good bye

RIG:
Jolie (Peekamoose-customized cherry-red Gibson ES-335 Dot reissue), Ibanez Tube Screamer TS808, tc electronic flashback delay/looper, eBow, Line6 POD-XT (Marshall JCM 800 amp emulator with vintage plate reverb, Fender ’65 Twin Reverb tremolo and ping-pong delay), MOTU 828mk2, Sony Acid

PROJECT:
This week’s project is a tribute to the late Jeffrey Melton, the talented musician, best known on SoundCloud (@nofi) and Twitter as @nofi. Melton passed away a few days ago, on March 30, in Fort Wayne, Indiana, where he lived with his wife and seven-year-old son. He was 42. Melton had been involved with the Disquiet Junto since the very first Junto project, back in January 2012, and he early on volunteered to create a Twitter list of the handles of participating Junto members.

The theme of this project, the 66th in the weekly Disquiet Junto series, is “posthumous collaboration”: communing through music.

These are the steps:

Step 1: Download the following live session of Jeffrey Melton performing. It was recorded in June of last year. (Warning: it’s fairly sizable, at over 350 MBs):
nofi.org/media/2012-06-15-Unwind-live-session.mp3

Step 2: Select a segment of between 2 and 5 minutes.

Step 3: Set the opening of your track to fade in.

Step 4: Set the ending of your track to cut out suddenly.

Step 5: Listen to it several times, to get to know it.

Step 6: Record yourself performing live along with the segment you have selected. Any instrumentation is fine. Just no voice. Be sure to play alone for approximately 10 seconds after Melton’s perfor—

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More on this 66th Disquiet Junto project at:
disquiet.com/2013/04/04/disquiet0066-nonofi

More of Melton/Nofi’s music at:
www.nofi.org/

Read Melton’s obituary here:
www.legacy.com/obituaries/fortwa…amp;pid=163988588

More details on the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/


02:50 night sky dead letter office [disquiet0065-pianoverlay]

PROCESS:
Start point: 02:50
Duration: 02:40
Added drums and guitar as the two new elements.
All the talk of space in the original track inspired me to break out the ebow for the 1st time in a while.
To get more interstellar, I applied plate reverb, reverse delay and phaser to guitars at different points.

RIG:
Jolie (Peekamoose customized Gibson ES-335 dot reissue), Vox AC-15, Ibanez Screamer TS808, TC-Electronic Flashback delay looper, Ebow, Line-6 Pod-XT effect/amp modeller, Motu 828 mk2, Sony Acid 7.0

PROJECT:
This week’s project’s theme is asynchronous collaboration — in other words, making things together separately. We will make new compositions based on short, discrete, randomly assigned segments of a single, 60-minute piano composition. Collectively these will form a longer, collaborative suite.

Step 1: You will be making a piece of music by adding new sounds to a pre-existing track. You can download that pre-existing track, an original piano composition by Jared Brickman, here:

One_hello_world – Every-day-were-dying-and-outer

Step 2: When you go to the following URL, at kenzak.com, you will be assigned, immediately, a specific section of the longer Brickman piece. This kenzak.com URL will randomly pull up two pieces of information. The first piece of information is the start point of your segment. The second is the length of your segment (which will be between 1 and 4 minutes):

kenzak.com/disquiet/disquiet0065-pianoverlay.html

Step 3: Extract your assigned segment from the pre-existing track.

Step 4: Compose a new piece of music by adding elements to the pre-existing track. You can add anything you choose, with the exception of voice. Limit yourself to two additional elements. The original track should be audible throughout your new composition.

More on this 65th Disquiet Junto project at:
disquiet.com/2013/03/28/disquiet0065-pianoverlay/

More on the source composition by Jared Brickman at:
One_hello_world – Every-day-were-dying-and-outer

The browser-based tool that segmented the Brickman track for this project was coded by Disquiet Junto member Ken Mistove, more from whom at:
kenzak.com/

More details on the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/info